Wednesday, April 14, 2021

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Indie Comics Showcase #132: Absolute, Skipt & Black Sun Samurai

Posted: 14 Apr 2021 08:15 AM PDT

 

 

Welcome back to another installment of Indie Comics Showcase, the weekly blog where we signal boost a few truly independent comics that are currently crowdfunding their projects, crowdsourcing their funding in some way, or just completely self-publishing on their own. Every little bit of support for these creators matters, from a single dollar pledge to the twenty-five dollar bundle, and of course the higher tiers are usually fun too! Even if you can’t back a campaign or buy a book, you can share or tweet about these projects to your friends and followers. 

 

On Indie Comics Showcase, we interview the creators, show off some art, and tell you how you can check out the product for yourself. Below we have some outstanding crowdfunding campaigns this week for you to learn about, enjoy, and hopefully support by backing one or more of them! Thanks for checking these out and for being the best part of Indie Comics Showcase. Let's jump in!

 

Black Sun Samurai
by Joseph Abbott

 

Check out the campaign here!

 

 

 

Chris Braly: Tell our readers about Black Sun Samurai, Joseph. Give us the elevator pitch!

Joseph Abbott: A samurai warrior, a Shinto exorcist, a noble archer and a timid geisha with astonishing powers are brought together over the death of their shogun to discover the secret of the why the sun no longer rises.

 

YouTube Video

 

CB: What was the genesis for this project, where did the idea for this comic come from, and what led to you deciding to crowdfund it?

JA: The idea for Black Sun originally came to me while on vacation, riding the Shinkansen from Osaka to Tokyo and listening to an audiobook of Miyamoto Musashi’s Book of Five Rings. Different ideas for samurai scenes and characters were flooding my mind so I jotted them all down in my notebook.

In terms of crowdfunding, it seems to be the best way to get an indie book published these days and the best way to grow a fan base for my work. It’s fantastic comicbook fans can decide themselves what they want to read rather than a publisher making that decision for them and limiting what is available on the shelves. It’s also been fun interacting directly with the fans.

 

 

CB: What kind of comic fans do you expect this comic will entertain the most?

JA : It’s a timeless adventure story for people who like detailed fantasy world building and mythological / archetypal themes. I did so much world building i could probably turn this into an RPG, lol. But its fun even if the details are something people may only appreciate on the 3rd/4th read of the series.

 

 

CB: Let’s get into the creative and production side a little. Tell us a bit about your creative team that have contributed to this project?

JA : I wanted to try a fully digital painted book and I was lucky enough to find Calvin who agreed to take on the tremendous challenge. Most comics have a penciller, inker, and colourist splitting the work between them. But in this case, Calvin had to do everything himself. We spent a lot of time going over every panel, debating the shape (you’ll see lots of golden ratios), pacing, the mood of the colouring, and every little detail. For example, he wanted the opening battle to be cloudy, grey and brooding, and I had to convince him, no, the opening pages need to be bright and colourful to contrast with the darkness that comes later when perpetual night falls. We went back and forth a lot, he’s an amazing artist, and even though I can’t draw worth a damn, I went to art school, I’m very visual, and I know the theory. So we had really productive discussions and spent way more time on every panel then I have done on any other book. We also have two awesome Variant covers by J.C. Grande and Pema Mendez who were great to work with.

 

 

CB: What’s the workflow like? How do you like to work?

JA : I completed the scripts for all 6 issues before I even thought about hiring an artist. I like to plan everything out in intricate detail and know exactly where everything is going. I don’t just “write by the seat of my pants”. My scripts are very focused on what needs to be on the page and uncluttered with pointless direction. I don’t complicate things with “camera angels” and such. I trust my artists to take the description and come up with the best way of showing it on the page.

I always give the artist a lot of freedom to express themselves. In terms of work flow, this time I actually provided the blank pages with panels drawn on them they way I imaged the layout, which is the first time I have done that for an artist. Then Calvin drew the sketches in the panels. Then we would debate/discuss any changes and come to an agreement on everything. Fixing pacing issues or coming up with better ways to visualize the action, or just nitpicks about how a sword looks, LOL. Then after that Calvin just went to town and did the finished paintings. So it was really straightforward.

 

 

CB: What have you been learning from crowdfunding and creating through this process?

JA : It’s hard. It’s damn hard. This is my second crowdfunder. My first I just threw up without any marketing and it did not reach the goal, even though the goal was pretty low. So I’m trying to market this one more, and reach as many people as I can and hopefully this is something people want to see in print and will support. I’d much rather be working on scripts than marketing, it isn’t really my forte. But that’s just the nature of the beast.

 

 

CB: What is your purpose for telling this story and what are your plans beyond this book? Are there more stories to tell?

JA : I am trying to work through mythological themes, timeless themes. I’m trying to create something that even 20 years from now, people will still remember and love. I want to touch the archetypal. That’s why there are some, what you might call “clichés” here and there. For example the “damsel in distress”. You’ve seen that before, particularly, in this book, it references Kurosawa’s Rashomon where the thief kidnaps the girl. But don’t mistake that for lazy writing, rather, I believe there are deep universal themes and myths that human beings are attracted to and which provide meaning to our lives. The hero myth for example. But that doesn’t mean everything is predictable. There are big surprises that will blow your mind!

 

 

CB: Are there more stories to tell?

JA: Oh yes there are many more stories to tell in the realm of Shinkoku, I am already working on the script for the next book that takes place after this story with new characters and fantasy races that didn’t make it into Black Sun.

In the historical samurai genre I am also currently in the art stage of a series based on the life of female samurai Tomoe Gozen and my fave historical samurai Lord Kiso Yoshinaka.

In terms of non-samurai books, I’m working on a horror story about Napoleon, a spy drama set in 1960s Jamaica, and several realistic dinosaur stories as well as a Star Wars / Futurama parody. If I can figure out how to make this crowdfunding thing successful I have a lot of different ideas I’d like to put out there.

 

 

CB: Awesome, Joseph. Thanks for chatting with us! Best of luck to you!

JA : Thank you! I really appreciate the opportunity and I want to thank you for helping promote indie comics! It’s an amazing time for creator-owned indie books, I think we really are in a Golden Age of indie comics. I’m excited to be a part of it.

CB: I totally agree. It’s a glorious time for indies.

 

Check out the Black Sun Samurai campaign here!

 

 

_________

ABSOLUTE
by Jason Bascom

 

Check out the campaign here!

 

 

Chris Braly: Tell our readers your elevator pitch for Absolute Book 2 – Briefly tell our readers the pitch.

Jason Bascom: “The epic conclusion of a bounty hunter thrust into a war he didn’t ask for.” I believe elevator pitches should be one sentence. A lone bounty hunter seeks out the ultimate prize and by taking on a strange young woman he is unknowingly steered into a rebellion against the malicious alien Onvi overlords.

 

YouTube Video

 

CB: What was the genesis for this project, where did the idea for this comic come from, and what led to you deciding to crowdfund it?

JB: This started as just a page I drew for my brother to right. I wanted a colab we would create together. He wasn’t sure where to go with the 1st page so I just started drawing the next and so on and was writing it in my head as I went. The idea and concept came about and developed along the way. The decision to crowdfund came about from watching Dan Fraga on the Couchdoodles show and listening to him wanting to bring back Black Flag to crowdfunding and then with Covid hitting and the mainstream just becoming a dumpster fire the decision took care of itself.

 

 

CB: What kind of comic fans do you expect this comic will entertain the most?

JB: Anyone looking for fun action and a journey of trust and character development as well as science fiction fans as well as fans of Dungeons and Dragons would enjoy this story. People looking for that old school underground indie black and white vibe would get a kick out of it as well.

 

CB: Let’s get into the creative and production side a little. Tell us a bit about your creative team that have contributed to this project?

JB: ABSOLUTE. is a self run machine. I do have a wonderful editor, as I recommend any creator have, but as far as the art/story/lettering/production and so on it’s all on me. There is a benefit to having that kind of control but it makes things very time consuming. lol

 

 

CB: What’s the workflow like? How do you like to work?

JB: Wen working on the comic itself I think what the page will contain, if it’s not a splash page, I do the layouts, usually one panel at a time since I let the story develop as I work. It might be 3 panels, could be 24. It often is spur of the moment. I lay it out digitally (I have partial black out blindness so I can’t see pencil or blue line too well) then tighten up each panel. I’ll go in and add in the crosshatching and line weight. I’ve been doing the 2nd half of book 2 with just 20% of the digital line art then printing it out and finishing it up with traditional media. After I’m done with a book I’ll then go page by page and write it, then put in the lettering. That’s when I toss things over to my editor (Shae) for her to let me know what needs fixed weather it be dialogue or even art. Once I do the fixing I’ll toss it to the printers.

 

 

CB: Your first crowdfund went great. What have you been learning from crowdfunding and creating through this process?

JB: Yeah it was a fun ride for sure! A key take away is probably communication and transparency, Get the know your backers, chat with them on social media and through updates. Listen to what they have to say and any suggestions they may have. I’ve made a lot of great new friends throughout this experience and I am looking forward to meeting more great new people!

 

CB: What is your purpose for telling this story and what are your plans beyond this book? Are there more stories to tell?

JB: This story is an entity all it’s own and has become one of trust, loyalty, and overcoming the most difficult of obstacles whether they be physical or mental. Never give in no matter how difficult the task at hand may be, even if it seems impossible. After book 2 my brother has a story he’s been wanting to do for several years and then there’ll be more from my own grey matter. ABSOLUTE. will have more. A Samurai Priest story will happen, he’s a fan favorite and I’ve grown fond of him as well.

 

 

CB: Thanks for chatting with me, Jason! Good luck. We’re are rooting for you!

JB: Thank you very much! I enjoyed this and was honored you asked me to do it! Even if I saw the invite very late. lol

 

Check out the Absolute campaign here!

 

_________

 

SKIPT
by Florian Pfeiffer

 

Check out the campaign here!

 

Chris Braly: Tell our readers your elevator pitch for SKIPT. 

Florian Pfeiffer: SKIPT tells sci-fi crime saga of a group of outlaws, who live their existence on the fringes of society in the future where privatization has reached absolute status In this world all aspects of life are controlled and operated by one of the five megacorps which run the world affairs under the decades-old “O.M.E.G.A. Treaty” with great effectiveness. In their attempt to find a new beginning in this hyper-documented world, the group inadvertently creates a substance that threatens the established balance of power. Needed by all parties, albeit for different purposes, this substance quickly becomes the object of desire – and the group thus the hunted.

On the run, they must now not only find a way to survive but take over! SKIPT: SEEDS OF POWER is the first book of a planned five-part saga and will also be the first-ever comic book to release a part of the artwork exclusively as NFTs (Non-fungible Tokens)! This will also include original in-story files vital for the gang, so we bridge the gap between reader and protagonists in a new way!

 

YouTube Video

 

CB: Is this your first adventure in crowdfunding? How did you first get into this and how did it lead to this?

FP: Yes, this is the first time I venture into the world of crowdfunding. I worked as a start-up consultant which gave me the chance to collect experience in those fields. I got some of my favorite books from crowdfunding campaigns, which led me to choose this way for this project.

CB: Where did the idea for Skipt originate?

FP: I carried this story in me for years, influenced by some of my favorite writers Grant Morrison, Garth Ennis, or Neil Gaiman I always was drawn to stories that choose to take unique perspectives and blur the lines between good and evil, and you are not always sure if the protagonist is the good guy. So I wrote the story I wanted to read for years. Like all writers, I was influenced by the stories I love and the world around me. What started as an idea, became quickly a massive project to build not just a story but a world, and I love it.

 

CB: What kind of comic fans do you expect this comic will entertain the most?

FP: SKIPT is for the tech sci-fi fan and crime drama fan alike. If you like stories like the peaky blinders, blade runner, or 100 bullets, you will have a lot of fun and excitement in this world I created. I hope to entertain readers that have a taste for twists and turns and a need for explosive action. The story follows a gang that has to survive in a harsh world and they don’t hold back. I wanted to create a comic book that entertains you with action and makes you think at the same time.

 

CB: Tell us a bit about your creative team / other creators that have contributed to this?

FP: I am very proud of the work of my pencil and inker. Don Mark Noceda is an experienced artist that worked on a few indie projects as well Sketchcard collections by Upperdeck. He was essential for the creation of the book, and together with the colorist Bryan Arfel Magnaye and he formed the core team. Both these guys were a huge support for me and had important influences on the designs of the characters and the world alike. Together those two gave my vision of life. We have some other artists working on promotional art and stretch goals but those are under NDA at the moment. I am very happy with my team and cant wait to show the world what we have in store.

 

CB: What else are you learning from crowdfunding and creating through this process?

FP: I learned a lot in the past 14 months. From the beginning of the project it was clear to us we want the book to be ready to go to print before we start any campaigning. For this reason, I learned a lot about the financial aspect of creating a book, and all that comes with it. I have written comic book scripts before but never had them be produced. Seeing what an artists interpretation of my description looks like, and how it can vastly differ from mine but still have all the elements mentioned in the description in it, while other times being almost scary similar to the vision in my head, is something that I never could have imagined, – and so much fun! In general, I learned a lot about the process of creating something as a team, over a long period, and how important your team is for that. I am super grateful for the awesome team I was able to find.

 

 

CB: Thanks for chatting with us! Any final words?

FP: Thanks for having me! We are excited to present this book as the first part of the saga to come and for SKIPT to be the first-ever comic book to have NFT content. I firmly believe this is a great new way of doing owning original art for the artist as well as the client. We are new, we are loud and we are coming to stay, but first and foremost to give our backers the best product possible with a thrilling story and beautiful art! I’m grateful to have made it so far and thank everyone that decides to join us on this amazing journey, it’s going to be quite the ride.

CB: We wish you tremendous success!

 

Check out the SKIPT campaign here!

_________

 

That’s it for this installment! Support indie comics!!!

 

 


Follow Indie Comics Showcase on Twitter at @Indie_Comics and reach out to them if you want us to consider featuring YOUR crowdfunding comic project!

 

The post Indie Comics Showcase #132: Absolute, Skipt & Black Sun Samurai appeared first on Bleeding Fool.

Lucy Liu Joins ‘Shazam! Fury of the Gods’ Cast as a Villain

Posted: 14 Apr 2021 06:15 AM PDT

Lucy Liu is officially a god.

The Elementary and Why Women Kill star has joined the DC Comics adaptation Shazam! Fury of the Gods as the villain Kalypso, the sister of Helen Mirren's villainous character Hespera.

 

Along with Liu and Mirren, the core filmmaking team from 2019's Shazam! is returning for the sequel, including Zachary Levi as the eponymous superhero Shazam!, and Asher Angel as his teenage alter ego Billy Batson. David F. Sandberg is returning to direct the film, from a screenplay by Henry Gayden. Peter Safran is producing with his shingle the Safran Company.

Like Mirren's character Hespera, Liu's Kalypso does not have an obvious counterpart in DC Comics. Both characters, however, are the daughters of the Greek god Atlas, who is one of the sources of Shazam's powers: He holds the stamina of Atlas, as well as the power of Zeus, the strength of Hercules, the wisdom of Solomon, the speed of Mercury and the courage of Achilles.

Shazam! Fury of the Gods is scheduled to open on June 2, 2023.

 

via Variety

The post Lucy Liu Joins ‘Shazam! Fury of the Gods’ Cast as a Villain appeared first on Bleeding Fool.

What Happens When Diamond Comic Distributors Goes Bust?

Posted: 14 Apr 2021 04:45 AM PDT

If Diamond distribution goes out of business, will that cause smaller publishers to follow suit?

 

That’s what this Hollywood Reporter article providing more news on Marvel’s shift away from Diamond appears to be saying, along with telling about the concerns of specialty stores:

 

The news that Marvel Entertainment has signed a new exclusive distribution agreement for the comic book market, ending a partnership with Diamond Comic Distributors after 24 years, has sent shockwaves through the comic book industry — with some believing that the shift might bring about the collapse of the industry as it currently exists.

[…] This isn't the first time Penguin Random House Publisher Services has dealt with the comic market; it already supplies a number of comic retailers with product as a distributor of collected editions and graphic novels for DC, Dark Horse, Archie Comics and IDW Publishing, although the new deal marks the first time the company will be handling single issue comics. Despite the new arrangement, Marvel's book market accounts will continue to be serviced by Hachette Book Group. In a statement accompanying the announcement, Marvel president Dan Buckey said, "Comics are the core of the Marvel Universe, and we are confident this new partnership will continue to grow and evolve this resilient industry."

Not everyone was necessarily convinced about that last part, however. Much of the worry on the part of retailers is rooted in financial reality. Many store owners are likely to be financially impacted by Marvel's shift, with a new 50 percent discount level being implemented on product (meaning that retailer cost is literally half of cover price) regardless of order size, as per PRHPS policy. This is a significant change from Marvel's current arrangement with Diamond, which offers a sliding rate up to 59 percent, with some retailers estimating the change could negatively impact somewhere in the region of half of Marvel's U.S. market.

Potentially offsetting the discount drop, all shipping costs will be waived under the new deal, consistent with PRHPS policy for other publishers. However, multiple retailers already dealing with PRHPS have spoken out about the company's shipping, with items reportedly arriving damaged in some form and raising concern that overall quality of Marvel product available to customers will be impacted beginning this fall. ("Most graphic novels that we receive from PRH do not arrive in anything approaching 'mint' condition," as Californian retailer Brian Hibbs wrote recently, to cite one example.) Both Marvel and PRHPS are said to be aware of the problem, and working towards a solution.

 

So what they’re worried about is that no proper arrangements whatsoever will be made to ensure products are kept safe as possible during delivery? Maybe that’s why specialty store proprietors should consider supporting the idea of comics shifting to graphic novel format and retiring the floppy format altogether. The more you stick to outmoded models, the worse it’s going to get, considering the price they cost, which can amount to far more than the trade paperbacks combined in a whole. And I assume floppies are more vulnerable to damage than paperbacks and hardcovers. That said, even Diamond’s not escaping scrutiny here:

 

The lack of clarity on Diamond's part is troubling to many inside the industry for one simple reason: if Diamond goes under, so could a significant portion of the comic book industry. Rumors about the financial stability of Diamond had been circulating for some time prior to Marvel's announcement; the company halted payments to vendors during its COVID-related shutdown last year citing "inconsistent payments from customers," and former DC president Diane Nelson stated outright that the company "may not even be solvent" when discussing the split between Diamond and DC on social media last summer. Not only is Diamond the contractually exclusive comic book distributor for some of comics' largest publishers — including Image, Dark Horse, Boom! Studios, and Dynamite Entertainment — it's also the sole distributor of a number of smaller independent publishers, as well. The collapse of such a distributor could prove a death blow to many, especially if it owes money to publishers if it goes under.

 

Well, at least that lays out the mistakes so many publishers made over the years, to rely on one single distributor, when here, they could’ve set a better example and sought out a few more if that made things easier. Again, this is why I strongly suggest all publishers still hooked on floppies let the format go, and make the move to trade format, as Zenescope appears to be doing. I just don’t understand why many publishers believe the audience can’t get used to a simpler approach to serial fiction rather than the way it’s been done since the 1930s. They’d do well to wake up, and start realizing the benefits of a shift. We’re facing a “brave new world” indeed, and publishers are going to have to start proving they have what it takes to be realists in business. Or else, they won’t last much longer.

 

For now, if a service like Penguin Random House does prove worthy, maybe they should decide to go for them as well.

 

 

 

Originally published here.

The post What Happens When Diamond Comic Distributors Goes Bust? appeared first on Bleeding Fool.

DCEU Films Ranked: #2 ‘Zack Snyder’s Justice League’ (2021)

Posted: 13 Apr 2021 05:00 PM PDT

 

 

 

#2 in my ranking of the DCEU franchise.

 

YouTube Video

 

Well, that's an improvement. The original release of Justice League in 2017 was a conflict of visions, mostly made by Zack Snyder but completed with heavy reshoots by Joss Whedon. It was also cut down from what would have been, best case scenario, almost three hours at the time to a svelte two hours flat. Considering the amount of storytelling that needed to happen in that shortened timeframe, it was no surprise to me that it felt rushed and incomplete. Well, several years pass, the "Snyder Cut" becomes a pop culture myth, and the COVID shutdown of theaters leads HBO Max in a desperate search for content, so they enlist Zack Snyder to make his original vision a reality. How does it stack up?

 

One of the main problems of the original cut was that there wasn't enough time to develop the three new main characters in any significant way before they got thrown into the plot. This movie fixes that, but there's a catch.

 

 

You see, ensemble pieces are hard. They're even harder when you have to introduce several of your main characters from scratch. The thing about a story is that stories tend to work best when all of the pieces work together to create one cohesive whole. When you introduce three new characters, along with a large plot about the end of the world, these three characters need to be fleshed out right there, but they're all dealing with different things. Cyborg is dealing with his fractured relationship with his father and the fact that he's part machine from an alien box that was buried under the ground for thousands of years. Flash is an incredibly awkward young man who runs super fast, can't make personal connections, and wants to pay for his college education to help his father beat the false charges that he's in prison for. Aquaman wants nothing to do with his Atlantean people because of something to do with his mother's mistreatment, even though he should be their king. This is all stuff that would have been fleshed out more naturally in stand alone movies that introduced these characters to audiences. However, as one quarter of the movie's first half, they all end up clashing. Add in the fact that Snyder was able to make his film four hours long because of the streaming platform release so that he included pretty much everything he had shot of these stories, and you get a first half that functions but drags. The individual pieces feel overlong, never bad, but also like we're cutting between four different movies instead of four different parts of a single story.

 

 

The plot is that same as the original release, of course. An alien named Steppenwolf has come to Earth looking for three Mother Boxes that were lost on Earth millennia ago that, when united, will destroy the planet through fire. However, Steppenwolf is much improved here. In an effort to create a streamlined character, the theatrical cut reduced him to obsessing over "Mother", and it felt off at best. Here he's trying to get back in the good graces of the ultimate bad guy of the DCEU, Darkseid, communicating back to the planet Apocalypse about his progress, hoping to get an audience with his master, and only beginning to gain the right attention when he discovers that Earth carries Anti-Life (unclear what that is, honestly, I think it's an equation) that Darkseid left on the planet millennia ago when his invasion was knocked back by the combined forces of Earth's Age of Heroes.

 

So, Steppenwolf has to get the three Mother Boxes first. The first is held at Themyscira and that action scene where Steppenwolf steals it from them is decent. The Amazons keeps getting owned in this franchise, but here they at least put up a good fight. The second is in Atlantis, and this comes off like a leaden balloon. There's too much to establish in Atlantis at once with Aquaman, Mera, and Nuidis talking high and mighty about the history of a place we barely know exists followed swiftly by another quick attack that's harder to see and includes a last second arrival of Aquaman that feels off. Well, at least Aquaman doesn't prevent Steppenwolf from getting the Box, so it's less annoying than it could be.

 

 

At this point, I was honestly feeling kind of a bit bored. We were just shy of two hours in, and I was getting four separate movies in one, and none of them were great though they were all functional. Then the pieces finally began to come together with the team actually forming. First was Flash, who happily joined because he needs friends. Then is Aquaman who joins because of his failure in Atlantis. Then is Cyborg who joins after his father is kidnapped by Steppenwolf's parademons. Together, they bear down on Steppenwolf's location outside of Gotham where he was looking for the final Mother Box. This is where it suddenly feels like we're in a single movie, and despite my inability to fully appreciate the first two hours because of its inelegant construction, the character work in the first two hours begins to pay dividends here.

 

 

Action scenes have more emotional punch as the team learns to work together against a mighty foe. We get demonstrations of their individual power, but none of them are strong enough individually to take on Steppenwolf and even as a team they're too fractured. The fight scenes have Snyder's visual panache with each hero getting their moment to shine, even if they don't fully succeed. Beaten back, they consider their only potential alternative to fighting such a powerful being: raising Superman from the dead with the power of the Mother Box they have.

 

Superman arises, and he's disorientated, surrounded by people he doesn't know, and he sees the man who had been trying to kill him, Batman, just before his death at the hands of Doomsday. Only saved by Lois Lane, who was nearby to say goodbye to Superman one more time before trying to move on with her life from her sorrow, the team watches Superman fly away right before Steppenwolf shows up and takes the final Mother Box from them, knowing where it was because they turned it on to revive Superman.

 

 

From this point, all the pieces are set for the finale. Steppenwolf has the three Mother Boxes and begins the Unity that will end the world. Cyborg has watched his father die marking the Box to be tracked, so his motivation is complete. The heroes have doubts because of their failures against Steppenwolf and their inability to bring Superman to their cause, but they have no other choice but to fight. Superman, though, is wonderful here. He doesn't have some grand moment of realization. Instead we just watch him slowly remember with the help of Lois and his mother Martha his final days and come to the realization of how much the League risked to get him alive. He has to help, it's just who he is.

 

The pieces all come together in a large scale fight in and around an abandoned nuclear reactor in Russia (not Chernobyl, though) where everyone has to use their powers and abilities to their utmost to fight off the army and leader trying to destroy the world. It's a hugely satisfying bout of superhero antics that caps with a look at the bigger threat to come as Darkseid ends up watching the final moments through a portal in preparation for his victory, coming face to face with the heroes who would defy him if this adventure were to continue.

 

 

There's no way Warner Brothers was ever going to release this movie at 4 hours in theaters. There might have been a possibility of a three hour release if they had bent some more, but for whatever reason they wanted no more than a two hour and twenty minute version of this film. For all of my problems about the jagged nature of this movie's first half, that first half becomes necessary in order to create the emotional investment for the final two hours. This is a marked improvement over the original, though it's far from perfect. There's extra stuff added in here and there that I have trouble understanding at all, like why is Secretary of Defense Swanwick, who was in both Man of Steel and Batman V Superman, suddenly Martian Manhunter? I have no idea, and he contributes nothing. The film feels both self-contained and part of a larger whole at the same time, though, and that's a hard trick to pull off.

 

It's good.

Rating: 3/4

 

Originally published here

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Godzilla vs. Kong Box Office Roars to Another $13.4 Million

Posted: 13 Apr 2021 03:00 PM PDT

Godzilla vs. Kong stormed to the top of the domestic box office, picking up $13.4 million in its second weekend of release. That brings the monster mashup's stateside haul to $69.5 million, an impressive gross considering it comes in the midst of a global pandemic.
 

 

The Legendary and Warner Bros. release's robust commercial performance has been all the more notable because it comes as COVID restrictions are in place, limiting capacity in theaters, and also as the film is available on HBO Max. The film dropped 58 percent compared to its opening weekend gross of $32.2 million. Warner Bros. is releasing its entire 2021 slate on HBO Max at the same time they debut in theaters as a concession to coronavirus and a way to bolster the streaming service.

 

Godzilla vs. Kong is now the top-grossing film of the pandemic era, bypassing Christopher Nolan's Tenet, which earned $58.4 million.

 
 
 

 

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Watch: New Trailer for ‘Belle: Ryu to Sobakasu no’ with a July Release

Posted: 13 Apr 2021 01:00 PM PDT

Mamoru Hasoda’s ‘Belle: Ryu to Sobakasu no’ progresses! A new, 70 second long trailer with alluring music and intense visuals has dropped on the interwebs:

 

YouTube Video

 

IMDB also shows a July release, but no specific date as of yet.

 

Mamoru Hasoda (Summer Wars, Digimon franchise) helms this brand new outing with Studio Chizu, marking its 10th anniversary. Hasoda is also working with Jin Kim (character design supervisor of Big Hero 6 – 2014), both are admirers of one another. ‘Belle: Ryu to Sobakasu no’  tells the story of a teenage girl living between the real world and a virtual one (called U).

 

Highly anticipated, enjoy the trailer as we wait for what looks to be an incredible story from a celebrated director in Hasoda.

 

The post Watch: New Trailer for ‘Belle: Ryu to Sobakasu no’ with a July Release appeared first on Bleeding Fool.

Watch: All-New Trailer for Zack Snyder’s ‘Army of the Dead’

Posted: 13 Apr 2021 11:00 AM PDT

Army of the Dead is one of the first projects Zack Snyder has taken upon with his production company The Stone Quarry. Set during a zombie outbreak in Las Vegas, the film follows a group of mercenaries that venture into a quarantine zone to pull off the greatest heist ever attempted. The director co-wrote the screenplay with Shay Hatten. The film is the first in a set of films that includes a prequel directed by star Matthias Schweighöfer known as Army of Thieves and an animated prequel that explains how the zombies came to be.

 

YouTube Video

 

 

In addition to directing Army of the Dead, Zack Snyder is serving as the film's cinematographer. He's also producing the picture with his wife and producing partner Deborah Snyder alongside Wesley Coller. Ori Marmur and Andrew Norman are overseeing for Netflix. The film stars Dave Bautista, Ella Purnell Omari Hardwick, Tig Notaro, Hiroyuki Sanada, Garret Dillahunt, Raúl Castillo, Nora Arnezeder, Matthias Schweighöfer, Samantha Win and Rich Cetrone.

 

Zack Snyder's Army of the Dead hits Netflix on May 21, 2021.

 

 

Via Heroic Hollywood

 

The post Watch: All-New Trailer for Zack Snyder’s ‘Army of the Dead’ appeared first on Bleeding Fool.

Marvel Studios Rolling Out Kate Bishop Explainer Videos

Posted: 13 Apr 2021 08:00 AM PDT

 

With a lot of the focus of the MCU being on the Disney+ series, folks are looking ahead to what's coming after things like The Falcon and the Winter Soldier and Loki, and while training footage of Moon Knight and casting news for She-Hulk are great, the one I have my eye on is Hawkeye. One of the original Avengers takes the lead and with the way the series have been focused on the effect of the Snap/Blip, I'd love to see how Clint Barton handled his entire family disappearing and then returning.

Joining Jeremy Renner is another Hawkeye, a younger female version from the comics named Kate Bishop who will be played by Hailee Steinfeld. She's known for films like True GritBumblebee and Pitch Perfect 2 along with the series Dickinson. Bishop is one of the Young Avengers created by Alan Heinberg and Jim Cheung. You may have heard the name Young Avengers a lot lately as Marvel has been introducing a lot of the members of the team over the last few projects. They include Wiccan and Speed (Wanda's grown up twins), Stature (Ant-Man's daughter), Patriot (Isaiah Bradley's grandson), and of course America Chavez who has been announced for the upcoming Doctor Strange in the Multiverse of Madness.

Now, if you're kind of confused on how their can be two Hawkeye's at once… kind of wondered that myself, Marvel has put out a bit of a primer for the Kate Bishop character that gives you and idea of who she was and how she ended up carrying a bow and wandering the streets with the pizza dog… 

 

YouTube Video

 

As for when we're going to see the Hawkeye series, we know it's already been filming and it's expected to be the final series of 2021 for Marvel after LokiWhat If…?! and Ms. Marvel. If that turns out to be true, even if the series is just started during 2021, that along with the upcoming films of Black WidowShang Chi and the Legend of the Ten RingsThe Eternals and Spider-Man: No Way Home, we're going to have a ton of new MCU material to fill up the rest of this year.

The post Marvel Studios Rolling Out Kate Bishop Explainer Videos appeared first on Bleeding Fool.

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