Wednesday, April 14, 2021

The Beat

The Beat


The HUGO AWARDS 2021 finalists have been announced!

Posted: 13 Apr 2021 12:15 PM PDT

The Hugo Awards join the scrum as gong season beckons. Unfortunately it will be quite the wait to know who wins.

In a 28-minute Youtube video, the finalists for 2021’s Hugo Awards were drawn. These were nominated by the WorldCon 2020 and 2021 membership – which amounted to 1,249 valid ballots.

Hugo Awards

The full list of Hugo Awards finalists are below. The winners will be announced at DisCon III, which takes place – COVID-willing – December 15-19 2021 in Washington, DC. Voting will open later this month and will close November 19.

This year a special videogame Hugo Award was added by this year’s Worldcon host DisCon III – as announced November 2020. The finalists are largely non-surprises of the 2020/2021 videogame awards scene (Animal Crossing, Last of Us Part II, Hades, Final Fantasy VII Remake).

The Best Dramatic Presentation, Short Form category oddly has two separate episodes of the most recent season of The Mandalorian nominated among the batch of six Hugo Awards finalists.

The Hugo Award for Best Graphic Story or Comic has a decent mix – Image Comics have two books (Marjorie Liu and Sana Takeda‘s Monstress vol 5; alongside Kieron Gillen and Stephanie Hans‘s DIE vol 2), but Marvel, Dark Horse, BOOM! and Abrams get a finalist in apiece. Once again, Kieron Gillen has two books listed in the category, as he also has the first volume of his BOOM! Studios title Once & Future with artist Dan Mora in the mix.Hugo Awards

Marjorie Liu and Sana Takeda’s Monstress has had excellent luck when it comes to the Hugo Awards. Every volume in their series has been nominated, and the first three were winners in the category in 2017, 2018, and 2019. Kieron Gillen has also seen his work make finalist at the Hugo Awards in recent years. Last year Gillen had the final volume of his and Jamie McKelvie‘s opus The Wicked + The Divine), as well as the first volume of DIE. Both Gillen and Marjorie Liu were pipped to the finish by Nnedi Okorafor and Tana Ford‘s LaGuardia (Berger Books/Dark Horse), however.

Congrats and good luck to all Hugo Awards finalists!


Best Novel

  • Black Sun, Rebecca Roanhorse (Gallery / Saga Press)
  • The City We Became, N.K. Jemisin (Orbit)
  • Harrow The Ninth, Tamsyn Muir (Tor.com)
  • Network Effect, Martha Wells (Tor.com)
  • Piranesi, Susanna Clarke (Bloomsbury)
  • The Relentless Moon, Mary Robinette Kowal (Tor Books)

Best Novella

  • Come Tumbling Down, Seanan McGuire (Tor.com)
  • The Empress of Salt and Fortune, Nghi Vo (Tor.com)
  • Finna, Nino Cipri (Tor.com)
  • Ring Shout, P. Djèlí Clark (Tor.com)
  • Riot Baby, Tochi Onyebuchi (Tor.com)
  • Upright Women Wanted, Sarah Gailey (Tor.com)

Best Novelette

  • "Burn, or the Episodic Life of Sam Wells as a Super", A.T. Greenblatt (Uncanny Magazine, May/June 2020)
  • "Helicopter Story", Isabel Fall (Clarkesworld, January 2020)
  • "The Inaccessibility of Heaven", Aliette de Bodard (Uncanny Magazine, July/August 2020)
  • "Monster", Naomi Kritzer (Clarkesworld, January 2020)
  • "The Pill", Meg Elison (from Big Girl, (PM Press))
  • Two Truths and a Lie, Sarah Pinsker (Tor.com)

Best Short Story

  • "Badass Moms in the Zombie Apocalypse", Rae Carson (Uncanny Magazine, January/February 2020)
  • "A Guide for Working Breeds", Vina Jie-Min Prasad (Made to Order: Robots and Revolution, ed. Jonathan Strahan (Solaris))
  • Little Free Library, Naomi Kritzer (Tor.com)
  • "The Mermaid Astronaut", Yoon Ha Lee (Beneath Ceaseless Skies, February 2020)
  • "Metal Like Blood in the Dark", T. Kingfisher (Uncanny Magazine, September/October 2020)
  • "Open House on Haunted Hill", John Wiswell (Diabolical Plots – 2020, ed. David Steffen)

Best Series

  • The Daevabad Trilogy, S.A. Chakraborty (Harper Voyager)
  • The Interdependency, John Scalzi (Tor Books)
  • The Lady Astronaut Universe, Mary Robinette Kowal (Tor Books/Audible/Magazine of Fantasy and Science Fiction)
  • The Murderbot Diaries, Martha Wells (Tor.com)
  • October Daye, Seanan McGuire (DAW)
  • The Poppy War, R.F. Kuang (Harper Voyager)

Best Related Work

  • Beowulf: A New Translation, Maria Dahvana Headley (FSG)
  • CoNZealand Fringe, Claire Rousseau, C, Cassie Hart, Adri Joy, Marguerite Kenner, Cheryl Morgan, Alasdair Stuart.
  • FIYAHCON, L.D. Lewis–Director, Brent Lambert–Senior Programming Coordinator, Iori Kusano–FIYAHCON Fringe Co-Director, Vida Cruz–FIYAHCON Fringe Co-Director, and the Incredible FIYAHCON team
  • "George R.R. Martin Can Fuck Off Into the Sun, Or: The 2020 Hugo Awards Ceremony (Rageblog Edition)", Natalie Luhrs (Pretty Terrible, August 2020)
  • A Handful of Earth, A Handful of Sky: The World of Octavia E. Butler, Lynell George (Angel City Press)
  • The Last Bronycon: a fandom autopsy, Jenny Nicholson (YouTube)

Best Graphic Story or Comic

  • DIE, Volume 2: Split the Party, written by Kieron Gillen and Stephanie Hans, letters by Clayton Cowles (Image Comics)
  • Ghost-Spider vol. 1: Dog Days Are Over, Author: Seanan McGuire, Artist: Takeshi Miyazawa and Rosie Kämpe (Marvel)
  • Invisible Kingdom, vol 2: Edge of Everything, Author: G. Willow Wilson, Artist: Christian Ward (Dark Horse Comics)
  • Monstress, vol. 5: Warchild, Author: Marjorie Liu, Artist: Sana Takeda (Image Comics)
  • Once & Future vol. 1: The King Is Undead, written by Kieron Gillen, iIllustrated by Dan Mora, colored by Tamra Bonvillain, lettered by Ed Dukeshire (BOOM! Studios)
  • Parable of the Sower: A Graphic Novel Adaptation, written by Octavia Butler, adapted by Damian Duffy, illustrated by John Jennings (Harry N. Abrams)

Best Dramatic Presentation, Long Form

  • Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), written by Christina Hodson, directed by Cathy Yan (Warner Bros.)
  • Eurovision Song Contest: The Story of Fire Saga, written by Will Ferrell, Andrew Steele, directed by David Dobkin (European Broadcasting Union/Netflix)
  • The Old Guard, written by Greg Rucka, directed by Gina Prince-Bythewood (Netflix / Skydance Media)
  • Palm Springs, written by Andy Siara, directed by Max Barbakow (Limelight / Sun Entertainment Culture / The Lonely Island / Culmination Productions / Neon / Hulu / Amazon Prime)
  • Soul, screenplay by Pete Docter, Mike Jones and Kemp Powers, directed by Pete Docter, co-directed by Kemp Powers, produced by Dana Murray (Pixar Animation Studios/ Walt Disney Pictures)
  • Tenet, written and directed by Christopher Nolan (Warner Bros./Syncopy)

Best Dramatic Presentation, Short Form

  • Doctor Who: Fugitive of the Judoon, written by Vinay Patel and Chris Chibnall, directed by Nida Manzoor (BBC)
  • The Expanse: Gaugamela, written by Dan Nowak, directed by Nick Gomez (Alcon Entertainment / Alcon Television Group / Amazon Studios / Hivemind / Just So)
  • She-Ra and the Princesses of Power: Heart (parts 1 and 2), written by Josie Campbell and Noelle Stevenson, directed by Jen Bennett and Kiki Manrique (DreamWorks Animation Television / Netflix)
  • The Mandalorian: Chapter 13: The Jedi, written and directed by Dave Filoni (Golem Creations / Lucasfilm / Disney+)
  • The Mandalorian: Chapter 16: The Rescue, written by Jon Favreau, directed by Peyton Reed (Golem Creations / Lucasfilm / Disney+)
  • The Good Place: Whenever You're Ready, written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television, a division of Universal Studio Group)

Best Editor, Short Form

  • Neil Clarke
  • Ellen Datlow
  • C.C. Finlay
  • Mur Lafferty and S.B. Divya
  • Jonathan Strahan
  • Sheila Williams

Best Editor, Long Form

  • Nivia Evans
  • Sheila E. Gilbert
  • Sarah Guan
  • Brit Hvide
  • Diana M. Pho
  • Navah Wolfe

Best Professional Artist

  • Tommy Arnold
  • Rovina Cai
  • Galen Dara
  • Maurizio Manzieri
  • John Picacio
  • Alyssa Winans

Best Semiprozine

  • Beneath Ceaseless Skies, ed. Scott H. Andrews
  • Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, hosts Tina Connolly and Alasdair Stuart, audio producers Summer Brooks and Adam Pracht and the entire Escape Pod team.
  • FIYAH Magazine of Black Speculative Fiction, publisher Troy L. Wiggins, executive editor DaVaun Sanders, managing editor Eboni Dunbar, poetry editor Brandon O'Brien, reviews and social media Brent Lambert, art director L. D. Lewis, and the FIYAH Team.
  • PodCastle, editors, C.L. Clark and Jen R. Albert, assistant editor and host, Setsu Uzumé, producer Peter Adrian Behravesh, and the entire PodCastle team.
  • Uncanny Magazine, editors in chief: Lynne M. Thomas and Michael Damian Thomas, managing editor: Chimedum Ohaegbu, non-fiction editor: Elsa Sjunneson, podcast producers: Erika Ensign and Steven Schapansky
    Strange Horizons, Vanessa Aguirre, Joseph Aitken, Rachel Ayers, M H Ayinde, Tierney Bailey, Scott Beggs, Drew Matthew Beyer, Gautam Bhatia, S. K. Campbell, Zhui Ning Chang, Rita Chen, Tania Chen, Joyce Chng, Liz Christman, Linda H. Codega, Kristian Wilson Colyard, Yelena Crane, Bruhad Dave, Sarah Davidson, Tahlia Day, Arinn Dembo, Nathaniel Eakman, Belen Edwards, George Tom Elavathingal, Rebecca Evans, Ciro Faienza, Courtney Floyd, Lila Garrott, Colette Grecco, Guananí Gómez-Van Cortright, Julia Gunnison, Dan Hartland, Sydney Hilton, Angela Hinck, Stephen Ira, Amanda Jean, Ai Jiang, Sean Joyce-Farley, Erika Kanda, Anna Krepinsky, Kat Kourbeti, Clayton Kroh, Maureen Kincaid Speller, Catherine Krahe, Natasha Leullier, A.Z. Louise, Dante Luiz, Gui Machiavelli, Cameron Mack, Samantha Manaktola, Marisa Manuel, Jean McConnell, Heather McDougal, Maria Morabe, Amelia Moriarty, Emory Noakes, Sarah Noakes, Aidan Oatway, AJ Odasso, Joel Oliver-Cormier, Kristina Palmer, Karintha Parker, Anjali Patel, Vanessa Rose Phin, Nicasio Reed, Belicia Rhea, Endria Richardson, Natalie Ritter, Abbey Schlanz, Clark Seanor, Elijah Rain Smith, Hebe Stanton, Melody Steiner, Romie Stott, Yejin Suh, Kwan-Ann Tan, Luke Tolvaj, Ben Tyrrell, Renee Van Siclen, Kathryn Weaver, Liza Wemakor, Aigner Loren Wilson, E.M. Wright, Vicki Xu, Fred G. Yost, staff members who prefer not to be named, and guest editor Libia Brenda with guest first reader Raquel González-Franco Alva for the Mexicanx special issue

Best Fanzine

  • The Full Lid, written by Alasdair Stuart, edited by Marguerite Kenner
  • Journey Planet, edited by Michael Carroll, John Coxon, Sara Felix, Ann Gry, Sarah Gulde, Alissa McKersie, Errick Nunnally, Pádraig Ó Méalóid, Chuck Serface, Steven H. Silver, Paul Trimble, Erin Underwood, James Bacon, and Chris Garcia.
  • Lady Business, editors. Ira, Jodie, KJ, Renay, and Susan.
    nerds of a feather, flock together, ed. Adri Joy, Joe Sherry, The G, and Vance Kotrla
  • Quick Sip Reviews, editor, Charles Payseur
  • Unofficial Hugo Book Club Blog, ed. Amanda Wakaruk and Olav Rokne

Best Fancast

  • Be The Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • Claire Rousseau's YouTube channel, produced by Claire Rousseau
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe, Jonathan Strahan, producer
    Kalanadi, produced and presented by Rachel
  • The Skiffy and Fanty show, produced by Shaun Duke and Jen Zink, presented by Shaun Duke, Jen Zink, Alex Acks, Paul Weimer, and David Annandale.
  • Worldbuilding for Masochists, presented by Rowenna Miller, Marshall Ryan Maresca and Cass Morris

Best Fan Writer

  • Cora Buhlert
  • Charles Payseur
  • Jason Sanford
  • Elsa Sjunneson
  • Alasdair Stuart
  • Paul Weimer

Best Fan Artist

  • Iain J. Clark
  • Cyan Daly
  • Sara Felix
  • Grace P. Fong
  • Maya Hahto
  • Laya Rose

Best Video Game [One-time Special Hugo Award Category]

  • Animal Crossing: New Horizons (Publisher and Developer: Nintendo)
  • Blaseball (Publisher and Developer: The Game Band)
  • Final Fantasy VII Remake (Publisher Square Enix)
  • Hades (Publisher and Developer: Supergiant Games)
  • The Last of Us: Part II (Publisher: Sony Interactive Entertainment / Developer: Naughty Dog)
  • Spiritfarer (Publisher and Developer: Thunder Lotus)

 

The post The HUGO AWARDS 2021 finalists have been announced! appeared first on The Beat.

GRAPHIC NOVEL CLUB: The OH MY GODS! team on how to become a comics master

Posted: 13 Apr 2021 10:30 AM PDT

The Beat is a proud sponsor of Comix Experience's Graphic Novel of the Month Clubs, which bring comics fans a curated mix of the best of new release graphic novels and conversations with the creators who make them.  Each month, the staff of Comix Experience votes on two sets of upcoming books they are most excited—one gets presented to adults and another to middle readers. Each club provides swag like original signed custom bookplates for adults or buttons and magnets for the kids (in this case, the latter, to support the featured book, Oh My Gods!).

oh my gods!

Most excitingly, the Graphic Novel Clubs bring in the creators of selected books to talk exclusively to GNC members in interviews conducted by Comix Experience owner Brian Hibbs, who brings 30 years of experience in comics to the table. These talks are livestreamed to members all over the country and are a fun and informative mix of conversation on craft and form, as well as on the business of making comics. The Graphic Novel Clubs make a point of being inclusive, inviting creators from a wide variety of age, race, sex, and cultural perspectives to speak to members.

Membership is what propels these conversations, so if you like what you see, please support these discussions of comics, and the creators who make them, by joining the club.

Today: Brian Hibbs talks to writers Stephanie Cooke and Insha Fitzpatrick and artist Juliana Moon about their recently released graphic novel, Oh My Gods! The story follows your average teenager, Karen, as she moves to Mt. Olympus and discovers her new classmates are gods and mythological creatures. In this clip, the Oh My Gods! team gives advice on how to get started and keep improving as a comic creator.

The post GRAPHIC NOVEL CLUB: The OH MY GODS! team on how to become a comics master appeared first on The Beat.

Doug Wright Award nominees announced for 2021

Posted: 13 Apr 2021 10:15 AM PDT

The Doug Wright Awards for Canadian Cartooning have announced their nominees for 2021. Leading the pack in nominations is Montreal-based publisher Drawn & Quarterly, with four nominations in all, including three books nominated in the Best Book category.

doug wright

The Doug Wright Awards have annually taken place during the Toronto Comic Arts Festival (TCAF) weekend. This year TCAF will be held in a virtual format from May 8 to 15.

On the Doug Wright Awards blog, they said:

"This year, 147 books by Canadian authors and artists were submitted to the Doug Wright Awards, in four categories. Nominees and winners were chosen by a panel of three judges per category. Books from more than 30 publishers were submitted, along with nearly three dozen self-published works."

For Giants of the North, Canadian Cartooning Hall of Fame, since 2019, the category has inducted one living and one deceased noteworthy member of the Canadian comics community. Because of COVID restrictions, the living recipients of the induction both last year and this year have been deferred until restrictions are lifted so that they may be inducted in person. 2021's deceased inductee into the Canadian Cartooning Hall of Fame will be Mr. Monster creator Fred Kelly (1921-2005).

Doug Wright

Check out the full list of nominees below. Congratulations to all of this year’s nominees. The winners of the 17th annual Doug Wright Awards will be announced via a pre-recorded live stream on YouTube and Facebook on Saturday May 8, 2021. Don McKellar will host.


The Doug Wright Award for Best Book

  • Lonely Boys, by S. Bédard (Pow Pow Press)
  • Familiar Face, by Michael DeForge (Drawn & Quarterly)
    Constantly, by GG (Koyama Press)
  • Paul at Home, by Michel Rabagliati (Drawn & Quarterly)
  • Wendy, Master of Art, by Walter Scott (Drawn & Quarterly)

The Nipper: The Doug Wright Award for Emerging Talent

  • Adam de Souza, A Gleaming No. 2 (Self-published)
  • Kimberly Edgar, The Space In Between (Self-published)
  • Courtney Loberg, We Don't Go Through the Angelgrass I (Self-published)
  • Veronica Post, Langosh & Peppi: Fugitive Days (Conundrum Press)
  • Shannon M. Reeves, Restless Bones (Gytha Press)

The Pigskin Peters: The Doug Wright Award for Best Small- or Micro-Press Book

  • The Noiseless Din, by Scott Carruthers (Popnoir Editions)
  • The Desecration, by Scott Carruthers and Sally McKay (Self-published)
  • A Gleaming No. 2, by Adam de Souza (Self-published)
  • The Space In Between, by Kimberly Edgar (Self-published)
  • Awkward Pause, by Ryan Harby (Renegade Arts Entertainment)

The Egghead: The Doug Wright Award for Best Kids' Book

  • A Slug Story, by Mandi Kujawa, Hana Kujawa, Claude St. Aubin, and Lovern Kindzierski (Renegade Arts Entertainment)
  • The Little Ghost Who Was a Quilt, by Riel Nason and Byron Eggenschwiler (Tundra Books)
  • Okay, Universe: Chronicles of a Woman in Politics, by Valérie Plante and Delphie Côté-Lacroix (Drawn & Quarterly)
  • Grandmother School, by Rina Singh and Ellen Rooney (Orca Book Publishers)
  • Swift Fox All Along, by Rebecca Thomas and Maya McKibbin (Annick Press)

The post Doug Wright Award nominees announced for 2021 appeared first on The Beat.

INTERVIEW: Joseph P. Illidge, Hannibal Tabu, & Meredith Laxton on MPLS SOUND

Posted: 13 Apr 2021 10:00 AM PDT

In MPLS Sound by Joseph P. Illidge, Hannibal Tabu, Meredith Laxton, Tan Shu, Troy Peteri, and Ryan Lewis, with a cover by Jen Bartel, readers follow the musical journey of Theresa Booker, the front woman for the fictional band Starchild. The graphic novel is available at your local bookstore today, April 13th, 2021, and at your local comic book shop tomorrow, April 14th, 2021.

MPLS SOUND
MPLS Sound cover by Minneapolis-based superstar artist Jen Bartel.

The Beat caught up with writers Illidge and Tabu and interior artist Laxton over email to find out more about the complicated process of capturing 1980s Minneapolis on the comics page, which comics were inspirational for MPLS Sound, and what it is like to convey music through the panels of a graphic novel!


AVERY KAPLAN: What was the genesis of this graphic novel? Was there a specific influence or inspiration for Therese?

JOSEPH P. ILLIDGE: Humanoids and MPLS Sound's first editor, Fabrice Sapolsky, came to us with the premise for the book, which was both daunting and exciting! Creating a fictional history between the raindrops of Minneapolis's real music history. They were committed to having Black writers tackle this story, which I will always applaud them for, the insight behind that decision.

Theresa is the fusion of a number of people in my life as well as celebrities. My mother and Prince are two of the core inspirations. My mom never gives up and Prince never gave in, even when the world thought corporations beat him.

HANNIBAL TABU: Theresa Booker is very specifically modeled on a woman named Theresa that I worked with at Image Magazine in the early 1990s. Both visually and in terms of the ambition there, the graphic novel adds musical talent (the Theresa I knew was an editor), but in many ways, it's the young woman shyly surprised when people spoke to her at the magazine's launch party.

KAPLAN: In addition to Prince, we also meet other real-life musical legends over the course of MPLS Sound. Was there any other musician who was particularly important or exciting for you to include?

TABU: I'm a huge fan of Morris Day, so seeing his part in the book, as well as learning that Alexander O'Neal was the Peter Gabriel to his Phil Collins (both drummers turned vocalists, too) was a big deal for me. It was a particular hoot to learn that O'Neal, like the Rock, referred to himself in the third person, which was about the funniest thing in the world to me while I was writing.

ILLIDGE: Definitely, but I wouldn't want to spoil the surprise. For people who know Prince's history and the great players in music that came from his camp, there are at least two people who we had to put in MPLS Sound. When you see them, it'll be important even though they're not "on stage" for a long time.

KAPLAN: Did any of the characters present a specific challenge during development?

MEREDITH LAXTON: My biggest concern was getting Prince right in each of his scenes. He's such an iconic character that his look and body language had to be convincing, especially for readers who are long-time fans of his music. It was also just important to me, personally, because Prince has been an influential part of my life and I desperately wanted to do him justice in this book.

KAPLAN: There are several splash pages over the course of MPLS Sound that give a visual representation of the sound of the band. Can you tell us a bit about the (possibly magic) process of conveying music through images?

LAXTON: Making comics about music is super challenging but, luckily, we were working with a genre and era that has a recognizable look. I took a lot of inspiration from funk groups such as Parliament and Lipps Inc. to start the design of the musical spreads in question and tried to make them as flashy as possible. My favorite aspect of MPLS Sound is that these scenes feel like they take place in a different universe from the real world.

MPLS SOUND

KAPLAN: Comics and music have a long history together. Is there any particular "music comic" that was especially inspirational for MPLS Sound?

ILLIDGE: The biggest inspiration for MPLS Sound from my perspective is the film "Purple Rain," in terms of capturing the feeling of a musical and music videos in a quasi-biography romance. If you come away from MPLS Sound feeling like you've been through a funk music ballad drama romp through history, that's what's up.

Since you mentioned it, though, much respect and reverence to Voodoo Child: The Illustrated Legend of Jimi Hendrix by Martin I. Green and the visual Godfather Bill Sienkiewicz, Prince: Alter Ego by Milestone co-founders Dwayne McDuffie and Denys Cowan, and KRS-ONE: Break The Chain by the legendary KRS-One and the number one stunna' Kyle Baker.

There wouldn't be a MPLS Sound without the groundwork laid by those books, and others.

TABU: I can't say there's a music specific comic, but I clearly had a lot of V For Vendetta in mind in terms of how Theresa discovers her own power and her own definition of success, despite the comparisons that were easy to make.

LAXTON: When I think of "music comic" I instantly think of Solanin by Inio Asano. I wouldn't be surprised if I took a bit of subconscious inspiration from that manga.

MPLS SOUND

KAPLAN: What was the process of capturing 1980s Minneapolis like?

ILLIDGE: It was a LOT of work. The thing about research is that you need multiple sources to align before you can consider anything history. The timeline between Prince's 1999 tour and the introduction of The Revolution is tricky and full of anecdotes from various sources, so building an infrastructure under that in which the paths of various people aligned was very helpful.

TABU: I pursued two avenues of investigation. First, I contracted with two people born and raised in Minneapolis – one a white woman in her forties whose child went to the same school my daughter attended, and the second, a Black woman in her late thirties who still lives on the south side of the city. I did extensive interviews with them to try and understand the detail and nuance of their disparate experiences.

Concurrently with that I did a lot of reading, books published about the era and the personalities therein. I read the book that talked to Prince's high school music teacher, who implied Prince wasn't even the most talented student he had. I also listened to interviews, such as the amazing Jimmy Jam coverage Questlove did on his podcast, and that gave so much detail (like the club where Jimmy Jam used to DJ, and how he'd leave a long record playing so he could go check out other things happening, something I've done as a DJ).

LAXTON: For me, it was collecting a lot of historical photos and magazine/news clippings for reference. Taking a trip to Minneapolis wasn't available to me, especially in 2020, but the internet provides.

MPLS SOUND

KAPLAN: Is there any comic, album, or other media that you have enjoyed lately?

ILLIDGE: That's a big question with so many answers! The graphic novel Infinitum by Tim Fielder was a breathtaking experience and I recommend it highly. I'm digging back into Jaden Smith's work from the last few years, and "Icon" is on replay when I'm editing for Heavy Metal. The "Small Axe" anthology of films by filmmaker Steve McQueen showing on Prime is one of the most heartfelt mic drops I've seen on film. I'm Jamaican-American, and seeing the historical portraits of Jamaican life in the UK is both familiar and new.

TABU: Far Sector is breathtaking. I read an indie book called Cello which was one of the most unexpected things I've ever seen. Jed McKay is doing some subversive, fun work at Marvel these days. The Geoff Thorne Green Lantern book is really effective.

LAXTON: I just got the first volume of Dryad, drawn by Justin Barcelo, and recently contributed to a kickstarter for Young Offenders, drawn by Mike Becker. Two very talented friends of mine.

MPLS SOUND

KAPLAN: Is there anything else you'd like me to be sure and include?

ILLIDGE: Kudos to some of the invisible players in the MPLS Sound band: Editor Rob Levin and Publisher Mark Waid, the World's Finest gents behind the scenes.

TABU: This week, my twelve issue run on Time Corps from Wunderman Comics hits the 1/3 mark, a cross-temporal science fiction adventure that I had so much fun writing. Later this year, another Wunderman Comics release will be a supernatural western three issue mini series called War Medicine, I just got pencils back from Roy Allan Martinez for the first issue. Finally, this November, Second Sight Publishing will bring Project Wildfire to comic book stores everywhere, so I'm very hyped about that.


You can find MPLS Sound today at your local bookstore and public library, and tomorrow at your favorite LCS.

The post INTERVIEW: Joseph P. Illidge, Hannibal Tabu, & Meredith Laxton on MPLS SOUND appeared first on The Beat.

DC ROUND-UP: I know…but THE JOKER #2 is very good

Posted: 13 Apr 2021 09:15 AM PDT

THIS WEEK: Look, I am as surprised as you are but it’s time to talk about The Joker #2 because this series is excellent so far.

Note: the review below contains spoilers.  If you want a quick, spoiler-free buy/pass recommendation on the comics in question, check out the bottom of the article for our final verdicts.


The Joker #2The Joker #2

Writer: James Tynion IV, with Sam Johns
Artist: Guillem March, with Mirka Andolfo
Colorist: Arif Piranto, with Romulo Fajardo Jr.
Letterer: Tom Napolitano, with Ariana Maher

When an ongoing The Joker comic was announced, I was a naysayerI was burned out on the character, as well as just broadly on the idea of a gritty murdering clown who subverts all that Batman stands for. We’d seen him done artfully via Black Label, we’d seen his 80th anniversary issue, we’d seen him mashed-up with Batman, we’d seen him in triplicate, and we’d seen him go to war. We’d just seen The Joker a lot. At the same time, we’d also seen all of those projects sell and sell like bonkers.

So, I understood why DC Comics was publishing a Joker comic as opposed to something more insular (like, say, Booster Gold, or my personal favorite, Green Arrow), but I didn’t have to like it.  As a result, I came to this new The Joker series with diminished expectations. After reading The Joker #2, however, I am sitting down here to officially eat some Jokerized crow.

This is a very good comic. It’s written by James Tynion IV, also the mastermind behind the flagship Batman title (which I also enjoy), with artwork by Guillem March and Arif Piranto. The premise is such that this is actually not a comic about The Joker, not really, but about Jim Gordon, who is on an international manhunt for the Clown Prince of Crown, encouraged into it by mysterious forces from within Gotham.

There is a core move here that starts this comic off on a very solid footing. It almost feels as if when Tynion was given this assignment, the writer made a foundational decision to not make this a story of the criminal, but rather a story about his victims. And who are, perhaps, the most famous victims of The Joker in the modern era (with apologies to Jason Todd)? The Gordons, Jim and Barbara both. The Joker #2 leans into that idea, and what results is a fantastic and pivotal Batman comic.

In this issue, Jim Gordon reveals to his daughter that he has known for a good long while that she operates as Batgirl and Oracle. Tynion and March play out this reveal as well as the resulting conversation expertly, doing so in ways that feel both entertaining in terms of issue pacing, as well as satisfying to long-term readers. Frankly, with Batgirl wearing the smallest of small domino masks in a way that clearly unveils most of her face and all of her hair, this revelation was long overdue. What I like about it most is not the realism (this is, afterall, a story of bat-people punching clowns), but rather the emotion behind it and the way it seeds more interesting directions for our main character dynamics. It’s great stuff, and I’m convinced this will be the most memorable individual issue from this current Bat-era, at least so far.

The Joker #2

Speaking of this current era, that’s a nice transition into the other reason I really like The Joker #2. It’s firmly-rooted in happenings in the other books. Gone are the days when Batman and Detective Comics felt totally separate. This new era is just crushing it on cohesion, with everything from Catwoman to Harley Quinn exploring a set of core plot points and events in different ways. This book is perhaps most concerned with the aftermath of The Joker War story arc, and with this second issue, it expands that into new areas while also doling out a major reveal to fans with the introduction to this story of the Court of Owls.

We don’t just see characters grumbling about how some usual craziness destroyed buildings, killed people, and disrupted life massively. We see the events of the Joker War manifesting in their decisions and actions, doing so in logical ways. The book isn’t just about Batman’s reaction to The Joker, it’s about everyone’s reaction to The Joker, good and bad, in ways that actually matter. It’s a comic that looks at The Joker and definitely says, this is not normal, and then explores that.

The Joker #2

It’s all well-done, very well-done, and — as unlikely as this would seem a few months ago — I’m writing this today very grateful that we have a Joker comic.

Verdict: Get over the shock, and BUY this comic


Round-Up

  • We also probably have to talk about Rorschach #7. This issue introduces legendary comics creators Otto Binder and Frank Miller as characters in a story that already prominently features a Steve Ditko analog. As a whole, this book is silly — this issue, for example, introduces The Dark Fife Returns…which c’mon, man — and not very self-aware. It’s a silly comic that thinks it’s very smart, to be blunt, and normally I’d ignore it. This issue, however, demands mention because the series seems headed for volatility. To me, Rorschach #7 begs the question: will this book feature Alan Moore, or an Alan Moore analog? And if so, how quickly will comics Internet explode? It’s like watching a train wreck in slow-mo. A Tom King appearance also seems inevitable. And with the investigator here conspicuously lacking a name, I’m starting to think we’ll find out it’s Alan, or, more likely, Tom…
  • Superman #30 continues the strong start to new Supes writer Phillip Kennedy Johnson’s run. He teams on this issue with Scott Godlewski and Gabe Eltreb. This issue continues the thematic interests of the first arc, indicating that this new run is perhaps not only about a father-son relationship, but also about broader dynamics between generations. It’s examining peoples of the future not as our replacements but as extensions of our work (good and bad), even if they aren’t how we envisioned them. It’s an interesting concept for a character as long-tenured as Superman, made all the more powerful by the high level of craft and precise execution of these books so far. Oh, and the Ambush Bug backup is a blast.
  • Finally, in addition to The Joker #2, there was quite a bit more Batman this week (shocking!). Tom Taylor and Andy Kubert’s Batman: The Detective #1 is a well-done and crisp Batman story, harkening back to the previous uber-wealthy Bruce status quo versus the character’s new financially-diminished circumstances. It’ll definitely find its fans.
  • Batman: Urban Legends #2 was another great anthology of stories about characters throughout Gotham. The Matthew Rosenberg-penned and Ryan Benjamin-illustrated Grifter revival remains one of 2021’s most pleasant surprises. The real star of the anthology so far, however, is Chip Zdarsky teaming with Eddy Barrows and Eber Ferreria on what could be a character-defining Red Hood story. Look, I know (again!), but this is just great comics, feeling poignant and personal within the world of corporate superhero IP, and it’s doing major work to build-out our new Batman era.

  • Miss any of our earlier reviews? Check out our full archive!

The post DC ROUND-UP: I know…but THE JOKER #2 is very good appeared first on The Beat.

Tillie Walden and Donny Cates join The Walking Dead in Skybound X

Posted: 13 Apr 2021 09:00 AM PDT

SkyboundX1A_OttleyCover.jpg

Have you always wanted to see Eisner Award winning cartoonist Tillie Walden draw characters from The Walking Dead universe?

That dream and many more are coming true in SKYBOUND X, a five-issue mini-series anthology that also features Robert Kirkman, Ryan Ottley,  Donny Cates, Joshua Williamson, Chip Zdarsky, James Harren, and Daniel Warren Johnson. 

It’s also a zombie jamboree for characters from across the Walking Dead universe, with everyone from Rick Grimes to the beloved Clementine from Telltale’s The Walking Dead video game as well as all new content from top creators.

AND every issue will debut all-new series and characters in every issue, making this a FIRST APPEARANCE issue on eBay.

And it’s all to commemorate the 10th anniversary of Skybound Entertainment, Robert Kirkman’s media company.

Each oversized, weekly issue will kick off with a chapter from RICK GRIMES 2000, a story originally introduced in the back of THE WALKING DEAD issue 75 and reuniting the INVINCIBLE team Robert Kirkman and Ryan Ottley. In addition, all-new series with brand new comic book characters will debut throughout. The first new comic book character featured will be Clementine, the star of the bestselling video game TELLTALE'S THE WALKING DEAD. SKYBOUND X will also include new stories from the worlds of ASSASSIN NATION, EXCELLENCE and MANIFEST DESTINY.
 
"Surprise! Did you REALLY think we would let Skybound's ten-year anniversary pass us by without bringing back some of our favorite characters?" said Kirkman. "We are forever thankful for our community's support over the past decade and are honored to share this special series with the larger Skybound family. None of these characters have such monumental journeys without the fans, so SKYBOUND X is for all of you!"

Issue #1 launches for print and digital on Wednesday, July 7, 2021. And here’s the line-up:
SKYBOUND X #1 
STORY: ROBERT KIRKMAN, TILLE WALDEN, JAMES HARREN & CHRIS DINGESS
ART: RYAN OTTLEY, TILLIE WALDEN, JAMES HARREN & MATTHEW ROBERTS
COVER A: RYAN OTTLEY (Diamond Code MAY210037)
COVER B: JAMES HARREN (Diamond Code MAY210038)
COVER C: TILLIE WALDEN (Diamond Code MAY210039)
COVER D: CHARLIE ADLARD (Diamond Code MAY210040)
COVER E: BLANK SKETCH COVER (Diamond Code MAY210041)

JULY 7 / 52 PAGES / FULL COLOR / M / $4.99

Celebrate a sensational 10 years of Skybound with a cavalcade of your favorite creators for all-new stories of your favorite series past, present and future! Each issue of this oversized, weekly series will kick off with a new chapter of a serialized THE WALKING DEAD story—RICK GRIMES 2000—by Robert Kirkman & Ryan Ottley!

In addition, we'll be debuting all-new series and characters every issue, starting with the First Appearance of the most requested WALKING DEAD character of all-time: Clementine, star of the bestselling Telltale's The Walking Dead video game series!

Did we mention new ULTRAMEGA and MANIFEST DESTINY stories?! If you want to know what to expect in Skybound's next 10 years, it all starts here!

SKYBOUND X #2 
STORY: ROBERT KIRKMAN, CHIP ZDARKSKY, DANIEL WARREN JOHNSON, IRMA KNIIVILA & TRI VUONG
ART: RYAN OTTLEY, RAMON K. PEREZ, DANIEL WARREN JOHNSON, TRI VUONG & IRMA KNIIVILA
COVER A: CLIFF RATHBURN (Diamond Code MAY210042)
COVER B: ANDREI BRESSAN (Diamond Code MAY210043)
COVER C: TRI VUONG & IRMA KNIIVILA (Diamond Code MAY210044)

JULY 14 / 44 PAGES / FULL COLOR / M / $4.99

The second chapter of the wildest WALKING DEAD story ever–RICK GRIMES 2000! Plus, the debut of a major new STILLWATER character, a rip-roaring MURDER FALCON throwdown, and the First Appearance of EVERYDAY HERO MACHINE BOY!

SKYBOUND X #3 
STORY: ROBERT KIRKMAN, JOSHUA WILLIAMSON, KYLE STARKS
ART: RYAN OTTLEY, ANDREI BRESSAN, ERICA HENDERSON, CORY WALKER
COVER A: ARTHUR ADAMS (Diamond Code MAY210045)
COVER B: CORY WALKER (Diamond Code MAY210046)
COVER C: ERICA HENDERSON (Diamond Code MAY210047)
COVER D: DANIEL WARREN JOHNSON (Diamond Code MAY210048)

JULY 21 / 44 PAGES / FULL COLOR / M / $4.99

The third chapter of RICK GRIMES 2000! Plus, a surprising coda to the BIRTHRIGHT saga, a spotlight on ASSASSIN NATION fan-favorite, F*ck Tarkington, and the latest installment of the greatest genius canine adventurer, SCIENCE DOG!

SKYBOUND X #4 
STORY: ROBERT KIRKMAN, DONNY CATES, BRANDON THOMAS, MAIRGHRED SCOTT
ART: RYAN OTTLEY, LISANDRO ESTHERREN, KHARY RANDOLPH, PABLO TUNICA
COVER A: CHARLIE ADLARD (Diamond Code MAY210049)
COVER B: KHARY RANDOLPH (Diamond Code MAY210050)
COVER C: PABLO TUNICA (Diamond Code MAY210051)

JULY 28 / 44 PAGES / FULL COLOR / M / $4.99

The fourth chapter of RICK GRIMES 2000! Plus, new REDNECK and EXCELLENCE stories, and the First Appearance of SEA SERPENT'S HEIR!

SKYBOUND X #5 
STORY: ROBERT KIRKMAN, KYLE STARKS & SEAN MACKIEWICZ
ART: RYAN OTTLEY, JASON HOWARD, CHRIS SCHWEIZER & NIKO WALTER
COVER A: DAVID FINCH (Diamond Code MAY210052)
COVER B: CHRIS SCHWEIZER (Diamond Code MAY210053)
COVER C: JASON HOWARD (Diamond Code MAY210054)

AUGUST 4 / 44 PAGES / FULL COLOR / M / $4.99

RICK GRIMES 2000 concludes! Plus, new THE SIX SIDEKICKS OF TRIGGER KEATON and GASOLINA stories! ALSO, something COMPLETELY NEW from ROBERT KIRKMAN & JASON HOWARD! SECRETS!

SkyboundX1C_WaldenCover
Skybound X #1 – COVER C: TILLIE WALDEN (Diamond Code MAY210039)
SkyboundX1B_HarrenCover 2
SKYBOUND X #1 – COVER B: JAMES HARREN (Diamond Code MAY210038)
SkyboundX1E_BlankCover
Skybound X COVER E: BLANK SKETCH COVER (Diamond Code MAY210041)
SkyboundX2B_BressanCover
Skybound X #2 – COVER B: by ANDREI BRESSAN
SkyboundX4C_TunicaCover
SKYBOUND X #4 – COVER C: by PABLO TUNICA
SkyboundX5C_HowardCover
SKYBOUND X #5 – COVER C by JASON HOWARD
SkyboundX1D_AdlardCover 2
SKYBOUND X #1 – Cover D by Charlie Adlard
SkyboundX2C_VuongCover
SKYBOUND X #2 – COVER C by TRI VUONG & IRMA KNIIVILA
SkyboundX3A_WalkerCover
SKYBOUND X #3 – COVER B by CORY WALKER

The post Tillie Walden and Donny Cates join The Walking Dead in Skybound X appeared first on The Beat.

EXCLUSIVE PREVIEW: Silence in the library in Ostow & Pitilli’s RIVERDALE: THE TIES THAT BIND

Posted: 13 Apr 2021 07:00 AM PDT

One of the signature elements of the Riverdale TV series has been the noir-soaked narration of actor Cole Sprouse‘s Jughead Jones. In Riverdale: The Ties That Bind, the first original graphic novel set in the world of the hit CW series, Jughead takes center stage for one of the book’s four interconnected stories. Today The Beat has an exclusive excerpt from “Nightcrawlers,” the Jughead-centric tale from writer Micol Ostow and artist Thomas Pitilli‘s new book, out in stores this week.

Along with the preview, Ostow and Pitilli both told The Beat about what went into the creation of the chapter that finds Jughead and Moose trapped in the library at Stonewall Prep:

Micol Ostow: "For Jughead’s chapter, we were still in the thick of the Stonewall Prep days of the TV show, and I was excited to see what other skeletons the school might have in its closet. I actually did a little research on the wildest boarding school scandals — there are a bunch. In the end I loved the idea of a secret society because it fit perfectly into the landscape of the Riverdale universe, and we could also set up connections to other comics or novel storylines further down the pike, if we wanted. It just felt very organic and open-ended. And it opened up possibilities for the other storylines in this collection, too."

Thomas Pitilli: "With the backdrop of Jughead’s chapter set mainly in the Stonewall library, I really got into the setting and tried to let that environment create the proper mood and tone for that piece of the story. I think it was Todd McFarlane who once said, 'When in doubt, black it out,' and I definitely employed that advice to add to the mystery and moodiness of some of these pages. Also, not to give too much away, but there’s a flashback sequence in this chapter, as well, and drawing the aesthetic of that particular period of time was a lot of fun."

Check out the exclusive twelve-page preview from Riverdale: The Ties That Bind below. The original graphic novel from Archie Comics goes on sale in comic shops this Wednesday, April 14th, and in bookstores on Tuesday, May 4th. You can also check out The Beat‘s review of the book by our resident Riverdale recapper, Billy Henehan, now.

ARCHIE'S SECOND ORIGINAL GRAPHIC NOVEL FEATURES THE WORLD OF CW'S RIVERDALE! FOUR INTERCONNECTED STORIES TRAP EACH OF OUR MAIN CHARACTERS IN A UNIQUE HIGH-STAKES CONFLICT OVER THE COURSE OF A FEW PRESSURE-COOKER HOURS!

JUGHEAD'S LOCKED IN AND LEFT BEHIND WITH MOOSE AT STONEWALL PREP, VERONICA IS TRAPPED WITH CHERYL AT A NEARBY SUBURBAN SHOPPING MALL, BETTY AND POLLY ARE STALKED BY A POSSIBLE MADMAN WHEN A GIRLS' NIGHT GOES HORRIBLY AWRY AND ARCHIE IS HELD HOSTAGE BY A 'LONG LOST RELATIVE' OF FRED'S WHO'S COME TO TOWN SEEKING PAYBACK OF ANY AND EVERY KIND.

WILL ARCHIE AND COMPANY EVEN MAKE IT TO SUNRISE? IF THEY DO, WILL THEY EVER BE THE SAME AGAIN?

The post EXCLUSIVE PREVIEW: Silence in the library in Ostow & Pitilli’s RIVERDALE: THE TIES THAT BIND appeared first on The Beat.

THE FABULOUS FURRY FREAK BROTHERS cartoon adds La La Anthony & Andrea Savage

Posted: 13 Apr 2021 06:15 AM PDT

The Fabulous Furry Freak Brothers has yet to hit our screens but news hasn’t dried up on the series. The animated adaptation of the Gilbert Shelton underground comix classic has announced new additions to the cast and a partnership with major studio Lionsgate.

Joining the already packed all-star cast of the show – whose first eight-episode season has already wrapped production – are Andrea Savage and La La Anthony, according to Deadline.

The Fabulous Furry Freak Brothers follows a trio of (non-related) stoners and their misadventures while scoring the next bit of weed. It debuted in Austin, Texas, underground newspaper The Rag in 1968 and was regularly reprinted nationwide, building a cult following. The animated show was first announced as being in development in 2019, and a mini episode was aired on YouTube. The cast had a digital panel at NYCC last year which the Beat covered.

The show starts out with the premise of the original anarchic comic before suddenly taking the original group of stoners on a magical weed trip from the familiar world of the 1960s to the 2020s. The eponymous trio will be played by Woody HarrelsonJohn Goodman and Pete Davidson. Other names cast in the show are Tiffany HaddishAdam DevineBlake Anderson, and Phil LaMarr.

According to the Deadline article, comedian Savage and Anthony will play siblings Harper and Gretchen: 'Harper [is] a no-nonsense tech badass who undoubtedly wears the pants in her household.' Gretchen meanwhile is 'a social-advocate lawyer who is the more idealistic and compassionate younger sister of Harper'.

Anthony, who more recently starred in Starz series Power, said this about joining the series:

"I have been into cartoons and animation for as long as I can remember and have dreamed of having the opportunity to voice an animated series. And to share the screen with some of the greatest comedians of our time is amazing. I'm excited to be a part of this project and can't wait for fans to see the show."

Lionsgate, who have signed on to the production, are to handle the global distribution rights of the series. Currently production on an eight episode pilot season has wrapped but no broadcaster or streamer have signed up as yet.

Jim Packer, Lionsgate President of Worldwide Television Distribution, chimed in on this new collaboration:

"We're thrilled to partner with some of the best writers and producers in adult animation and the perfect cast to recapture the subversive underground vibe of the original '60s comic series with characters and story lines that are just as funny, relevant and watchable today. Just as the comics resonated with readers around the world, audiences will want to tune into the wild, boundary-pushing adventures of this group of remarkably human misfits time after time."

The Rick & Morty workshop Starburns Industries and Pure Imagination Studios handled the initial eight episode pilot season of the show. The rights to the comic are handled by WTG Enterprises with WTG's Courtney Solomon and Mark Canton acting as executive producers alongside writers and showrunners Alan Cohen and Alan Freedland. Creator Gilbert Shelton and the cast are also named executive producers.

With the announcement of the partnership with Lionsgate, WTG's Courtney Solomon and Mark Canton said:

"We're delighted to continue our extraordinary relationship with the Lionsgate family. It's great to have a partner like Lionsgate on board for the ride as we've got an incredible cast and are confident that audiences everywhere will love the Freaks."

The post THE FABULOUS FURRY FREAK BROTHERS cartoon adds La La Anthony & Andrea Savage appeared first on The Beat.

No comments:

Post a Comment

guest post needed

Hi I hope you're doing well. I'm reaching out to discuss the possibility of publishing articles on your website. Along with guest ...