Wednesday, April 27, 2022

Eater - All

Eater - All


This Is Not a Pint

Posted: 27 Apr 2022 11:51 AM PDT

Animal-free ice cream brand Brave Robot is one of many to advertise pints with more than a pint of product. | Brave Robot

Ice cream brands need to stop styling pints with literally twice the amount of ice cream

Hey, look, I know the pint is a weird, confusing unit of measurement that complicates the the simple fact that we're talking about 16 fluid ounces — and yet, I'll accept it as "convention." But quick question: When did we normalize advertising pints using literally two pints worth of contents? I'm looking at you, specifically, ice cream industry.

Here is an example, courtesy of the Cheesecake Factory.

Five overflowing pints of ice cream with Cheesecake Factory branding The Cheesecake Factory
I thought the Cheesecake Factory could do no wrong — but then I saw this picture [sad trombone]

And another, this time from the artisanal-leaning Van Leeuwen.

A pint of Van Leeuwen honeycomb ice cream with some ice cream scoops on top Van Leeuwen
Just looking at this pictures makes me need to go wash my hands.

And yet another from the plant-based Coconut Bliss, the image for which is saved in the brand's online media kit as "EDB-OverflowingPints-VanillaBrownieSwirl" (emphasis mine).

Three pints of Coconut Bliss brand ice cream, two closed and one in the center overflowing, topped with three scoops of ice cream Coconut Bliss
Coconut Bliss, please step away from the Photoshop.

You don't have to be a former ice cream professional like yours truly to see that this is a pint plus at least two more heaping scoops, if not three, and that for ice cream brands across the board, this form of literally over-the-top excess has become the dominant way of conveying that you're selling a pint's worth of ice cream. I'm pretty sure that's not how measurements work! I am well aware of the size of these pints in real life — as well as the fact that these images may simply be digitally composed — but I resent the portrayal of food as wasteful spectacle, as evidenced by the very real 10-pound burgers and one-pound mozzarella sticks. And my initial oohs at the sight of interesting new flavors heaping out of the pint containers always give way to the ick of thinking about the reality of sticky, dripping ice cream.

The scoop creep extends beyond ice cream too. As snack expert Andrea Hernandez pointed out while responding to my tweet about this very thing, this overflowing pint aesthetic has tentacled its way into the cookie-dough-by-the-pint niche. And while writing this, I got an ad for Yishi, the Asian dessert-inspired instant oatmeal company, which portrays the heaping pint to an admittedly more restrained extent.

The most obvious rationale here is that an accurately filled pint doesn't look very exciting from a photography standpoint, though ice cream brands have certainly found workarounds. Morgenstern's shoots its pints lid-on beside a single plop of melting ice cream, or sliced in half to show a cross-section. Noona's, though it sometimes veers into mountainous, above-pint-level territory, also accepts that we want to see what we're actually getting, which is just a flat pint.

Like overflowing TikTok drinks and the whole "Freakshakes" thing, this styling choice is probably also rooted in a desire to catch people's attention, and to dive into the sense of decadence. You're already buying ice cream, so why not make it look especially indulgent? Or something. But please, let's rein it back — we are testing the limits of physics!

How Chefs at LA’s Providence Meticulously Prepare an Oyster Dish

Posted: 27 Apr 2022 10:12 AM PDT

The first dish on the restaurant's tasting menu uses exactly eight grams of caviar

At Los Angeles's two-Michelin-starred seafood restaurant Providence, chef Michael Cimarusti uses only wild-caught fish to make dishes like scallops with black truffle, uni egg, Alaskan king salmon with truffle sauce, and more.

The tasting menu kicks off with an oyster topped with golden kaluga caviar. The restaurant gets its oysters from the Hood Canal in Washington State. "It's actually a shigoku oyster that has spent extra time on the bed, about an extra year on the bed, so that they come larger," says Cimarusti.

The chefs begin washing the oysters by putting them over ice and running cold water on them, which knocks off the barnacles and any sand that may have accumulated. Next, they rubber band all the oysters shut to make sure that the liquid inside, known as liquor, doesn't leak and can be used in the sauce a little later. The rubber banded oysters are steamed for two and a half minutes and then rested for another minute, which makes them warm, but not too hot.

"You can still hold it in your hand," says Cimarusti. "It does enough to set the flesh, so that it has a nice mouth feel."

The oysters are put upright on ice, so that the liquor stays in the shell. They're then shucked and returned to the shell.

From there, the sauce is made from champagne and cultured butter. They add the extra juice from the oysters into the sauce and exactly eight grams of caviar and fine herbs.

"Opening up that caviar a couple times a week and just looking at it, marveling at it, and tasting it, it's different every time," Cimarusti marvels. "It's a magical thing."

TikTok’s Wildly Popular Dirty Soda Is Strangely Compelling

Posted: 27 Apr 2022 09:51 AM PDT

Three colorful cold drinks in clear plastic cups with a logo that reads
A few of the offerings at dirty soda shop Swig. | Swig

Soda spiked with cream and flavored syrup is growing in popularity thanks to Olivia Rodrigo

Despite the anti-sugar fearmongering and our collective obsessions with wellness and hydration, there are still millions of Americans who, at some point every day, drink a soda. And a growing minority of those soda-drinkers are consuming "dirty sodas," a concoction that's trending on TikTok following more than a decade of obsession in Utah.

In the mid-2010s, shops slinging "dirty sodas," or fountain sodas spiked with cream, flavored syrups, and other add-ins, started popping up all over Utah. The drinks are similar to Italian sodas, which combine flavored syrups with club soda, but are made with popular soft drinks like Sprite and Diet Coke. Their popularity is owed in large part to Utah's substantial population of Mormons, many of whom do not drink alcoholic beverages or coffee (and other "hot drinks) because they are explicitly prohibited in the religious dogma.

"Dirty sodas have become more than a novel beverage; they have enmeshed themselves into the culture of Utah," Michelle Leung wrote for Vice in 2016, as the dirty soda trend was peaking in that state. "Dirty soda shops are where you take the kids after soccer practice, where you go on a first date, where you stop in the morning, and where you go after work to treat yourself after your long day."

In the years since Leung's article, these virgin spiked sodas became a bonafide online sensation. Dirty soda shops have proliferated in Utah, and brands like Swig and Sodalicious are now opening a slew of new locations across the country. The genesis of the current TikTok trend can be linked to Gen Z musician Olivia Rodrigo, who posted a photo with a cup from Utah chain Swig in December 2021. Just a few months later, TikTok is now replete with more than 700,000 mentions of the #dirtysoda hashtag, most of which accompany videos of creators showing viewers how to make their own dirty sodas at home.

The formula for the original dirty soda, the exact origin of which is hard to pinpoint, is simple: a Diet Coke poured over ice, then spiked with a shot of coconut syrup, lime juice, and half-and-half. Some shops use coconut-flavored coffee creamer instead of the syrup, but the flavor profile is ultimately the same. These days, there are are thousands of different combinations of cream, flavored syrups, fruit, and other add-ins on both soda shop menus and online videos, making this the kind of drink that you can fully customize to suit your preferences.

In the interest of science — and after seeing about a thousand TikTok videos on the subject — I grabbed a bottle of Coconut Creme Coffee-Mate at the grocery store on Sunday and set out to make my own dirty soda. I don't drink Diet Coke, which meant that a cold can of Dr. Pepper would have to do. I poured it over ice in a cup, then added a shot of the creamer and squeezed a wedge of lime inside. After mixing the concoction, I was mildly concerned that my drink had curdled, because combining dairy and citrus juice doesn't generally tend to produce good results. With a quick stir, though, the mixture came together nicely and my dirty soda was ready to drink.

Taking the first sip, I was a little unsettled by its light tan color, and could still see little speckles of cream that hadn't fully incorporated into the mixture. Upon tasting, though, it actually turned out to be pretty good! The creaminess was nice and the acidity of the lime a pleasing addition to a super-sweet soda. The coconut was arguably a little overpowering, and tasted slightly like sunscreen, but only in that good way that recalls a bright blue snow cone or an Ocean Water at Sonic Drive-In.

Adding cream to soda seems a little weird at first, but soda floats have existed for more than a century. Remember a root beer float? Or a purple cow? It's sort of the same thing, only missing a scoop of ice cream. It's sweet and creamy, and makes something as simple as consuming a beverage feel a little bit special, almost like you're enjoying a dessert. But am I totally convinced that dirty sodas are as great as the folks who are religiously prohibited from consuming anything stronger than Coke seem to think? Definitely not.

Here Are the 2022 James Beard Awards Restaurant, Chef, and Media Finalists

Posted: 27 Apr 2022 08:14 AM PDT

Closeup of the James Beard Foundation award medal.
James Beard Foundation

The full list of nominees

Today, the James Beard Foundation announced its slate of finalists for its 2022 awards. This short list of nominees honors the year's outstanding restaurants and chefs — the first such list since 2020. In addition to the list of Restaurant and Chef Award finalists, the foundation announced chef and TV host Martin Yan as the winner of the Lifetime Achievement Award and Grace Young as the winner of its Humanitarian of the Year Award for her work supporting Chinatowns and Asian American-owned small businesses. They also announced four Leadership Award winners — Monica Ramirez of Justice for Migrant Women; Irene Li of Mei Mei Dumplings and Prepshift; Erika Allen of Urban Growers Collective; and Mavis-Jay Sanders of Drive Change. The worker-led, Oakland-based restaurant Understory took home the Emerging Leadership award. They join the already-announced America's Classics winners for 2022, which were revealed in February.

The semifinalist rollout last month was not without its missteps. While promised changes to the categories, criteria, and voting processes did result in what was easily read as the most diverse — across race, gender, geography, styles of service, and styles of cuisine — in the foundation's history, ultimately names had to be removed from that list due to closures, and one name was added because it had been left off "due to clerical error." The overall sense is that while the changes are in many ways long overdue, they are also not totally comfortable yet for the foundation and its awards committee.

Unlike in years past, media nominees were not announced concurrently with the restaurant and chef nominees. Nominees for cookbook, journalism, and other media awards will be revealed in a separate announcement on April 27. The Restaurant and Chef Awards ceremony will take place in Chicago on June 13. Without further ado, here are the nominees:

Outstanding Restaurateur

A restaurateur who uses their establishment(s) as a vehicle for building community, demonstrates creativity in entrepreneurship, integrity in restaurant operations, and is making efforts to create a sustainable work culture. Eligible candidates must have been in the restaurant business for at least five years and they must not have been nominated for a James Beard Foundation chef award in the past three years. The medallion and a certificate are given to the winning restaurateur or, in the case of a pair or team of restaurateurs who are generally understood to be equal partners in the endeavor, restaurateurs.

  • Ashok Bajaj, Knightsbridge Restaurant Group (Rasika, Bindaas, Annabelle, and others), Washington, D.C.
  • Chris Bianco, Tratto, Pane Bianco, and Pizzeria Bianco, Phoenix
  • Kevin Gillespie, Red Beard Restaurants (Gunshow, Ole Reliable, and Revival), Atlanta
  • Akkapong "Earl" Ninsom, Langbaan, Hat Yai, Eem, and others, Portland, OR
  • Chris Williams, Lucille's Hospitality Group, Houston
  • Ellen Yin, High Street Hospitality Group (Fork, a.kitchen + bar, High Street Philly, and others), Philadelphia

Outstanding Chef

A chef who sets high culinary standards and has served as a positive example for other food professionals. Eligible candidates must have been working as a chef for three or more consecutive years. The medallion and a certificate are given to the winning chef or, in the case of a pair or team of chefs who are understood to be equal partners in the endeavor, chefs.

  • Reem Assil, Reem's, Oakland and San Francisco, CA
  • Mashama Bailey, The Grey, Savannah, GA
  • Peter Chang, Peter Chang, VA and MD
  • Jason Vincent, Giant, Chicago
  • Rachel Yang and Seif Chirchi, Joule, Seattle

Outstanding Restaurant

A restaurant that demonstrates consistent excellence in food, atmosphere, hospitality, and operations while contributing positively to its broader community. Eligible candidates must have been in business for five or more consecutive years, not including any time closed due to the pandemic. A certificate is given to the winning restaurant and the medallion, and a certificate are given to the restaurant's principal owner, or General Manager, or Chef, at the discretion of the restaurant.

  • Brennan's, New Orleans
  • Butcher & Bee, Charleston, SC
  • Chai Pani, Asheville, NC
  • Parachute, Chicago
  • The Walrus and the Carpenter, Seattle

Emerging Chef

A chef who displays exceptional talent, character, and leadership ability, and who is likely to make a significant impact in years to come. No age limit is required. The medallion and a certificate are given to the winning chef.

  • Angel Barreto, Anju, Washington, D.C.
  • Calvin Eng, Bonnie's, NYC
  • Cleophus Hethington, Benne on Eagle, Asheville, NC
  • Serigne Mbaye, Dakar Nola, New Orleans
  • Edgar Rico, Nixta Taqueria, Austin
  • Crystal Wahpepah, Wahpepah's Kitchen, Oakland, CA

Best New Restaurant

A restaurant opened in 2020 or 2021 that already demonstrates excellence in cuisine and hospitality and seems likely to make a significant impact in years to come. A certificate is given to the winning restaurant, and the medallion and a certificate are given to the restaurant's principal owner, or General Manager, or Chef(s), at the discretion of the restaurant.

  • Angry Egret Dinette, Los Angeles
  • Bacanora, Phoenix
  • BARDA, Detroit
  • Dhamaka, NYC
  • Horn BBQ, Oakland, CA
  • Kasama, Chicago
  • Leeward, Portland, ME
  • Owamni, Minneapolis
  • Oyster Oyster, Washington, D.C.
  • Roots Southern Table, Farmers Branch, TX
  • Ursula, NYC

Outstanding Pastry Chef

  • Warda Bouguettaya, Warda Pâtisserie, Detroit
  • Margarita Manzke, République, Los Angeles
  • Claudia Martinez, Miller Union, Atlanta
  • Ruben Ortega, Xochi, Houston
  • Caroline Schiff, Gage & Tollner, NYC

Outstanding Baker

  • Maya-Camille Broussard, Justice of the Pies, Chicago
  • Atsuko Fujimoto, Norimoto Bakery, Portland, ME
  • Don Guerra, Barrio Bread, Tucson, AZ
  • Caroline Schweitzer and Lauren Heemstra, Wild Crumb, Bozeman, MT
  • Zak Stern, Zak the Baker, Miami

Outstanding Hospitality

A restaurant that demonstrates consistent and excellent hospitality and service to its dining community, while also making efforts to provide a sustainable work culture. Eligible candidates have been in operation for five or more years.

  • Cúrate, Asheville, NC
  • House of Prime Rib, San Francisco
  • Hugo's, Houston
  • Sylvia's Restaurant, NYC
  • Ticonderoga Club, Atlanta

Outstanding Wine Program

  • The Four Horsemen, NYC
  • Frenchette, NYC
  • The Little Nell, Aspen, CO
  • Maydan, Washington, D.C.
  • Rebel Rebel, Somerville, MA

Outstanding Bar Program

  • Alley Twenty Six, Durham, NC
  • Attaboy, Nashville
  • barmini by José Andrés, Washington, D.C.
  • Julep, Houston
  • Nobody's Darling, Chicago

Best Chef: California

  • Brandon Jew, Mister Jiu's, San Francisco
  • Bryant Ng, Cassia, Santa Monica, CA
  • Sarintip "Jazz" Singsanong, Jitlada, Los Angeles
  • James Syhabout, Commis, Oakland, CA
  • Pim Techamuanvivit, Nari, San Francisco

Best Chef: Great Lakes (IL, IN, MI, OH)

  • Omar Anani, Saffron De Twah, Detroit
  • Jason Hammel, Lula Cafe, Chicago
  • Noah Sandoval, Oriole, Chicago
  • John Shields and Karen Urie Shields, Smyth, Chicago
  • Erick Williams, Virtue Restaurant & Bar, Chicago

Best Chef: Mid-Atlantic (DC, DE, MD, NJ, PA, VA)

  • Angel Barreto, Anju, Washington, D.C.
  • Amy Brandwein, Centrolina, Washington, D.C.
  • Jesse Ito, Royal Izakaya, Philadelphia
  • Cristina Martinez, South Philly Barbacoa, Philadelphia
  • Chutatip "Nok" Suntaranon, Kalaya Thai Kitchen, Philadelphia

Best Chef: Midwest (IA, KS, MN, MO, NE, ND, SD, WI)

  • Dane Baldwin, The Diplomat, Milwaukee
  • Karen Bell, Bavette La Boucherie, Milwaukee
  • Jorge Guzmán, Petite León, Minneapolis
  • Gregory León, Amilinda, Milwaukee
  • Sean Sherman, Owamni, Minneapolis
  • Yia Vang, Union Hmong Kitchen, Minneapolis

Best Chef: Mountain (CO, ID, MT, UT, WY)

  • Jose Avila, El Borrego Negro, Denver
  • Cody Cheetham, Tavernetta, Denver
  • Caroline Glover, Annette, Aurora, CO
  • Dana Rodriguez, Work & Class, Denver
  • Eric Skokan, Black Cat Farm Table Bistro, Boulder, CO

Best Chef: New York State

  • Amanda Cohen, Dirt Candy, NYC
  • JJ Johnson, FIELDTRIP, NYC
  • Ayesha Nurdjaja, Shuka, NYC
  • Chintan Pandya, Dhamaka, NYC
  • Junghyun Park, Atomix, NYC

Best Chef: Northeast (CT, MA, ME, NH, RI, VT)

  • Vien Doubi, CÔNG TỬ BỘT, Portland, ME
  • Tiffani Faison, Orfano, Boston
  • Courtney Loreg, Woodford Food and Beverage, Portland, ME
  • Nisachon Morgan, Saap, Randolph, VT
  • Damian Sansonetti, Chaval, Portland, ME

Best Chef: Northwest and Pacific (AK, HI, OR, WA)

  • Carlo Lamagna, Magna Kusina, Portland, OR
  • Robynne Maii, Fête, Honolulu
  • Thomas Pisha-Duffly, Oma's Hideaway, Portland, OR
  • Sheldon Simeon, Tin Roof, Kahului, HI
  • Mutsuko Soma, Kamonegi, Seattle

Best Chef: Southeast (GA, KY, NC, SC, TN, WV)

  • Katie Button, Cúrate, Asheville, NC
  • Greg Collier, Leah & Louise, Charlotte, NC
  • Philip Krajeck, Rolf and Daughters, Nashville
  • Cheetie Kumar, Garland, Raleigh, NC
  • Ricky Moore, SALTBOX Seafood Joint, Durham, NC

Best Chef: South (AL, AR, FL, LA, MS, PR)

  • Blake Aguillard and Trey Smith, Saint-Germain, New Orleans
  • Adam Evans, Automatic Seafood and Oysters, Birmingham, AL
  • Timothy Hontzas, Johnny's Restaurant, Homewood, AL
  • Melissa M. Martin, Mosquito Supper Club, New Orleans
  • Isaac Toups, Toups' Meatery, New Orleans

Best Chef: Southwest (AZ, NM, NV, OK)

  • Fernando Olea, Sazón, Santa Fe
  • Martín Rios, Restaurant Martín, Santa Fe
  • Salazar Brothers, La Guelaguetza, Albuquerque, NM
  • Giovanni Scorzo, Andreoli Italian Grocer, Scottsdale, AZ
  • Jamie Tran, The Black Sheep, Las Vegas

Best Chef: Texas

  • Tiffany Derry, Roots Southern Table, Farmers Branch, TX
  • Christine Ha and Tony J. Nguyen, Xin Chào, Houston
  • Quy Hoang, Blood Bros. BBQ, Bellaire, TX
  • Steven McHugh, Cured, San Antonio, TX
  • Iliana de la Vega, El Naranjo, Austin

James Beard Foundation Book Awards

Baking and Desserts

  • Cheryl Day's Treasury of Southern Baking by Cheryl Day
  • Mooncakes and Milk Bread: Sweet and Savory Recipes Inspired by Chinese Bakeries by Kristina Cho
  • Mother Grains; Recipes for the Grain Revolution by Roxana Jullapat

Beverage with Recipes

  • Death & Co Welcome Home by Alex Day, Nick Fauchald, and David Kaplan with Devon Tarby and Tyson Buhler
  • The Japanese Art of the Cocktail by Masahiro Urushido and Michael Anstendig
  • The Way of the Cocktail by Julia Momose with Emma Janzen

Beverage without Recipes

  • Foot Trodden: Portugal and the Wines Time Forgot by Simon J. Woolf
  • Girly Drinks: A World History of Women and Alcohol by Mallory O'Meara
  • The Noble Rot Book: Wine From Another Galaxy by Dan Keeling and Mark Andrew

General

  • Cook, Eat, Repeat: Ingredients, Recipes, and Stories by Nigella Lawson
  • Cooking at Home: Or, How I Learned to Stop Worrying About Recipes (And Love My Microwave) by David Chang and Priya Krishna
  • Everyone's Table: Global Recipes for Modern Health by Gregory Gourdet and J.J. Goode

International

  • Falastin by Sami Tamimi
  • In Bibi's Kitchen by Hawa Hassan with Julia Turshen
  • Ripe Figs: Recipes and Stories from Turkey, Greece, and Cyprus by Yasmin Khan

Reference, History, and Scholarship

  • Black Smoke: African Americans and the United States of Barbecue by Adrian Miller
  • The Flavor Equation: The Science of Great Cooking Explained by Nik Sharma
  • Koji Alchemy by Rich Shih and Jeremy Umansky

Restaurant and Professional

  • Mr. Jiu's in Chinatown by Brandon Jew and Tienlon Ho
  • Modernist Pizza by Nathan Myhrvold and Francisco Migoya
  • Pasta: The Spirit and Craft of Italy's Greatest Food with Recipes by Missy Robbins and Talia Baiocchi

Single Subject

  • Cool Beans: The Ultimate Guide to Cooking the World's Most Versatile Plant-Based Protein by Joe Yonan
  • Grains For Every Season by Joshua McFadden and Martha Holmberg
  • The Hog Book by Jesse Griffiths

U.S. Foodways

  • Black Food: Stories, Art, and Recipes From Across the African Diaspora by Bryant Terry
  • Mosquito Supper Club: Cajun Recipes from a Disappearing Bayou by Melissa M. Martin
  • The Rise: Black Cooks and the Soul of American Food by Marcus Samuelsson and Osayi Endolyn

Vegetable-Focused Cooking

  • The Korean Vegan Cookbook by Joanne Molinaro
  • To Asia, With Love: Everyday Asian Recipes and Stories From the Heart by Hetty McKinnon
  • Vegetable Kingdom: The Abundant World of Vegan Recipes by Bryant Terry

Visuals

  • White and Shadows by Yuka Yanazume and Julia Hasting
  • Sushi Shokunin: Japan's Culinary Masters by Andrea Fazzari
  • The New School of Scale-to-Tail Cooking and Eating by Rob Palmer and Daniel New

Writing

  • Franchise: The Golden Arches in Black America by Marcia Chatelaine
  • Getting Something to Eat in Jackson: Race, Class, and Food in the American South by Joseph C. Ewoodzie.
  • The Man Who Ate Too Much: The Life of James Beard by John Birdsall

James Beard Foundation Broadcast Media Awards

Documentary/Docuseries Visual Media

  • Gather, airs on Netflix
  • High on the Hog: How African-American Cuisine Transformed America, airs on Netflix
  • The Hungriest State, Mississippi State University Films

Instructional Visual Media

  • Christopher Kimball's Milk Street Television
  • The Food Network Kitchen: Everything You Need to Know About Collard Greens
  • The Wild Harvest with Alan Bergo

Reality or Competition Visual Media

  • School of Chocolate (airs on Netflix)
  • Sparklers (airs on SommTV)
  • Top Chef: Family Style (airs on Peacock)

Commercial/Sponsored Visual Media

  • Justin V. Barocas, Uber Eats Presents: On the Rise with Marcus Samuelsson
  • Sean O'Connor, Whitney Hassett, Kyle J. Glenn, I Hire Punks
  • Dennis Burnett, Made Right Here Road Trip

Visual Media — Short Form

  • How 60,000 Metric Tons of Salt Are Harvested from One of the World's Saltiest Lakes (Airs on Eater)
  • TrueSouth - Lake Village (Airs on ESPN/SEC Network)
  • Eat This: What Everyone Gets Wrong About Farm Work (Airs on AJ+)

Visual Media — Long Form

  • EatUp! New York (Airs on ABC7 New York)
  • Somebody Feed Phil (Airs on Netflix)
  • Taste the Nation: Holiday Edition (Airs on Hulu)

Social Media Account

Audio Programming

  • Dish City
  • Gastropod
  • Good Food

Audio Reporting

  • A People's History of Kansas City by Mackenzie Martin
  • California Foodways by Lisa H. Morehouse
  • The Sporkful by Dan Pashman, Emma Morgenstern, Andres O'Hara

James Beard Foundation Journalism Awards

Columns and Newsletters

  • Tasting Home: "Travels with Papa"; " Following the Thread"; "In Her Footsteps" by Kwame Onwuachi and Joshua David Stein, Food and Wine
  • Tex-Mexplainer: "Nixtamalization Is the 3,500-Year-Old Secret to Great Tortillas"; "Live a Little and Try Crunching on Chapulines, or Roasted Grasshoppers"; "Forget Everything You Think You Know About Mole" by Jose Ralat, Texas Monthly
  • Taste Matters: "Really, Is Everyone a Critic?"; "Stop Calling Chinese Food Cheap. It Can Be Exceptional at Every Price."; "The Ingredients May Be New. The Quest For Deliciousness Is Eternal." by Mahira Rivers, Resy

Dining and Travel

  • "Right Around the Corner" Francis Lam, Conde Nast Traveler
  • "Eating in Xi'an, Where Wheat and Lamb Speak to China's Varied Palate" by Ligaya Mishan, T Magazine
  • "The Ultimate Texas Tacopedia" by Jose R. Ralat, Texas Monthly

Feature Reporting

  • "Inside the Secretive, Semi-Illicit, High Stakes World of WhatsApp Mango Importing," by Ahmed Ali Akbar, Eater
  • "Tek Cyear uh de Root, Part One — The Schützenfest, Black Endurance, and Beer Culture in Old South Charleston"; "Tek Cyear uh de Root, Part Two — The Deliberate Reconstruction of the Charleston Schützenfest"; "Tek Cyear uh de Root, Part Three — The Lost Potential of Charleston Beer" by Jamaal Lemon, Good Beer Hunting
  • "Raising Cane," by Shane Mitchell, The Bitter Southerner

Food Coverage in a General Interest Publication

  • The Bitter Southerner
  • The New Yorker
  • The Washington Post

Foodways

  • "'We're Reclaiming Beer Because It's Ours'" by James Bennett II for Eater
  • "The American Dream in the Back of a Sunoco" by Trisha Gopal for Eater
  • "Eating in Xi'an, Where Wheat and Lamb Speak to China's Varied Palate" by Ligaya Mishan for T Magazine

Health and Wellness

  • "Cultivating Better Health," by Michael Behar, Eating Well
  • "Diet-Related Diseases Pose a Major Risk for Covid-19. But the U.S. Overlooks Them." by Helena Bottemiller Evich, Politico
  • "Deeply Rooted: An Endocrine Web Special Report on Race and Diabetes" by Andrea Velez, Endocrine Web

Home Cooking

  • "The Way of Clay" by Mary Frances Heck
  • "For Garlic Powder, a Working Seasoning Finally Gets its Turn in the Spice Limelight," Ben Mims, L.A. Times Food
  • "The Secret Society of Marmalade Makers," Lesley Pariseau, Taste

Innovative Storytelling

  • "Arturo and the Rancho Zen of Washing Dishes" by Javier Cabral for PopUp Magazine
  • "How Black Foragers Find Freedom in the Natural World," by Dr. Cynthia Greenlee, Adraint Bereal, and Wulf Bradley for the New York Times
  • "A Feast for Lost Souls" by Annelise Jolley and Zahara Gómez Lucini for the Atavist Magazine

Investigative Reporting

  • "NYC Food Delivery Workers Band to Demand Better Treatment. Will New York Listen to Los Deliveristas Unidos?"; "Food Delivery Workers Toiling Through Historic Flooding Call Skimpy Wages and Tips 'A Cruel Joke'"; "New York City Passes Landmark New Protections for Food Delivery Workers" by Claudia Irizarry Aponte and Josefa Velasquez for The City NYC
  • "Palestine and the West Bank Agricultural Struggle," by Marianne Dhenin for Life and Thyme
  • "Revolt of the Delivery Workers" by Josh Dzieza for New York Magazine

Personal Essay — Long Form

  • "It's Time to Decolonize Wine" by Miguel de Leon for Punch
  • "All the Food You Can Eat and Only the Family You Can Stand" by Jackie Summers for Epicurious
  • "The Creature Comfort of Aunt Jemima" by Adia Victoria for The Bitter Southerner

Personal Essay — Short Form

  • "How It Feels to Close Your Restaurant for Good" by Kiki Aranita for Food and Wine
  • "Caribou Bones and Burgundy" by Elaine Chukan Brown
  • "The Dangers of Bartending While Asian," by Kaylee Hammonds for Food and Wine

Profile

  • "Chef José Andrés Embraces the Chaos," by Jane Black for Huffington Post
  • "Patsy Young — American Brewer, Fugitive From Slavery" by Theresa McCulla for Good Beer Hunting
  • "The Man Who Sees a Future Where Indigenous Foods Are as Ubiquitous as Burgers," by Kate Nelson for Esquire

Jonathan Gold Local Voice Award

  • "Growing Up on Los Angeles's Black Barbecue"; "Downtown LA's Once-Unstoppable Restaurant Scene Now Faces an Uncertain Future"; "Tonight's Dinner Should Be Fried Chicken From an LA Grocery Store" by Mona Holmes, Eater LA
  • "'Too Much to Lose.' Why a Miami Man Moved into a Backyard Tent During Coronavirus Crisis"; "Salt Bae's Restaurant Called Cops on Customer who Wouldn't Pay for Gold-Wrapped Steaks"; "How to Eat Like a Local in Miami: A Local's Guide to Dining in the 305" by Carlos Frias, Miami Herald
  • "Innovation and the Incinerated Tongue: Notes on Hot Chicken, Race, and Culinary Crossover"; "Two Friends Talk about Black, White, and The Grey: On Cooking and Collaboration Across the Color Line"; "Pimento-cracy" by Dr. Cynthia Greenlee, The Counter and Oxford American

Craig Claiborne Distinguished Restaurant Review Award

  • "In Grand Central Market, a Beloved Chef Begins a New Chapter"; "Jumpstart Your Day at this Taiwanese Breakfast Pop-up in Chinatown"; "This Atwater Village Sushi Bar is what L.A. Fine Dining is all About," Bill Addison, Los Angeles Times
  • "'Constant Evolution'"; "Restaurant Debuts as one of the Best in the Midwest"; "Pizzas Out of this World," Luisa Chu, Chicago Tribune
  • "The Bay Area is Having a Love Affair with Smashburgers. This is the One You'll Want to Eat Again and Again"; "Impossible's New Vegan Nuggets Taste Better than McNuggets. Sadly, that's not Saying Much"; "S.F. Restaurant's $72 Fried Rice Was a Runaway Hit. It Was Also the Chef's Nightmare," Soleil Ho, San Francisco Chronicle

MFK Fisher Distinguished Writing Award

  • "The Flavors of My Grief," Yasmin Khan for Vogue
  • "Right Around the Corner," Francis Lam for Conde Nast Traveler
  • "Life Was Not a Peach," Hannah Selinger for Eater

Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Foundation Awards.

Take 30 Percent Off Eater Wine Club at the Strategist’s Two-Day (Actually Good) Sale

Posted: 26 Apr 2022 08:26 AM PDT

This Restaurant’s Menu Shows It’s Not Just One Chef in Charge

Posted: 26 Apr 2022 07:22 AM PDT

Woman wearing apron sits between two restaurant tables.
Astrid Riecken for the Washington Post via Getty Images

Dirt Candy is synonymous with chef and owner Amanda Cohen. Now, other chefs behind the scenes will get some of the spotlight.

When Dirt Candy, chef Amanda Cohen's industry-leading vegetarian restaurant in New York City, introduced its spring menu this month, diners found an interesting new addition. Below three of the five dishes is a line of attribution: Junior sous chef Michaela Duke is credited for the lox-like tower of smoked onions, sous chef Andrew Duong with the verdant celery bowtie pasta, and sous chef Matt Miller with the roasted, stuffed fennel. It reads seamlessly enough to make you wonder why you don't see information like this on menus or social media posts more often — especially in a dining scene in which calling out the contributions of farms, butchers, and ceramicists has become commonplace.

Indeed, calls for transparency around dish development have increased over the past few years. Writing for Eater in 2019, Jonathan Kauffman explored the question of intellectual property in dish development, finding that chefs are often unable to take their signature dishes with them when they leave a restaurant. In the Washington Post in 2020 — after the Sqirl mold saga uncovered allegations of unacknowledged staff contributions — now-Whetstone Magazine editor Layla Schlack took this idea a step further: Menu credits could "bring workers to the forefront, potentially amplifying conversations about restaurant labor," she wrote.

Since it opened in 2008, Amanda Cohen's Dirt Candy has been at the forefront of big shifts in how the restaurant industry can operate more responsibly and equitably, like plant-based charcuterie and the elimination of tipping. This menu update is "something I've always wanted to do," Cohen says. "I've always tried my best to give as much credit as possible to my staff, tagging them in Instagram and newsletters. This menu was a bit different because it's the first time where I really felt like it was a true collaboration." Eater spoke with Cohen about why she made the switch, and how Dirt Candy's pandemic-spurred revamp has helped her and her staff grow.

What was your menu development process like before, and how was it different this time?

In general, I would do most of it on my own: come up with the ideas and the vegetables that I wanted to use and test a lot of it by myself. Sometimes people would come up with things to add on to it or we'd go back and forth, but the initial idea and the initial testing started with me. This time, I knew what vegetables we were going to use for spring, and I had a general idea of what I wanted the dishes to be.

I told each of my sous chefs [to choose] a vegetable/dish, gave them a general outline, and they ran with it. There was a lot of back-and-forth because it's still Dirt Candy-style so it all has to be of a piece, but they did most of the testing and they came up with a lot of the ideas. Whereas before I would say 95 percent of each dish was me, this time I would say [it was] more like 50-50.

Have you seen an approach like this on menus before?

I've heard of people doing it before. I don't know if I've seen it or noticed it. I certainly know there has been a movement to give more credit to staff over the last couple of years and I think it's great — it takes an army to run a restaurant.

How often do you change your menu, and is this something that you envision you'll be doing on future menus?

We change it four times a year. So long as my sous chefs keep participating — and I'm happy to open it up to anybody else on my staff — I would love to continue it. Sometimes when you're the head chef you can feel like you work in a vacuum, so it's nice to be able to collaborate, learn from others, and see what their experience has been and what ideas they have. I'll absolutely give them the credit they deserve. However, maybe [there would be] a time that it would be just me; I'm not just doing this to look good, it has to be truthful.

Why do you think being a head chef can feel like you're working in a vacuum?

We've revamped the restaurant over the last year. When we simplified the menu, it gave everybody a lot more time to do things. In the past, everybody just felt so overwhelmed. We've tried so hard not to have people work long days, so the only person who really could take on that extra burden to make new dishes was me, and that would come in the in-between moments of everything else. It feels lonely, like I was in the back room by myself during service doing things. Other [chefs de cuisine] of mine had time to certainly give feedback but not necessarily time to really work on dishes, and that's my fault for running this intense restaurant for many years. Post-pandemic, we've really scaled back a lot of what we do, and we only run one menu that's five dishes — a couple extra things here and there — but with the same number of staff that we had beforehand. It's given everybody breathing room to grow as chefs.

Do you feel like in sous chef roles, historically, people haven't necessarily been able to create new dishes at Dirt Candy?

They've always been welcome to; they haven't had the time — definitely not, I think, in the way we had things set up. There was so much actual work to do, and a lot of times, my sous chefs, pre-pandemic, had to also take on the role of a line cook or prep cook on top of their other duties. We were really struggling with labor issues beforehand; we're pretty fortunate right now that we aren't, and so everybody can do what they were hired to do.

What has been the response from diners?

Lots of guests have been really excited and they want to know about the process. It's the exact same questions you're asking: Why now? What's the difference? How does the collaboration work? I think by being able to put it on the menu, it's making it obvious that a restaurant is not just one person; it's everybody. Even though I have an open kitchen, by and large most of my guests interact with the front of house. This is a way to really let them understand that the back of house is so integral to the restaurant as well.

What has the response been from your sous chefs to seeing their names on the menus?

I mean, I hope they're happy. I sent it out in our newsletter, I posted it online, and their moms called them and were pretty excited for them. I think they also can recognize that they're an important part of this restaurant, and hopefully it's given them some confidence to keep trying and experimenting.

Is this something that you would like to see at more restaurants?

Yeah, absolutely. It's fun to know the names of the people who make your food. It's kind of like watching the end credits of a movie, or when you go see a Broadway show and you see everybody who's worked on the production — I think it's great.

This interview has been edited and condensed for clarity.

Everything You Ever Wanted to Know About Kohlrabi

Posted: 26 Apr 2022 06:33 AM PDT

Three people crowd around a kohlrabi on a cutting board, unsure of what to do with it. Illustration.
Sophia Pappas

It may not be the most beloved vegetable, but kohlrabi is nutrient-dense, subtly tasty, and belongs in any number of dishes

On the list of much-maligned and regretfully misunderstood vegetables, the humble kohlrabi ranks high. A member of the brassica oleracea species of plants, kohlrabi often ends up being the last thing used in the farmers market haul or the dregs of a CSA delivery. Its strange octopus-like shape, abundant leaves, and craggy exterior can confuse even the most competent of cooks. Is it a giant Brussels sprout? A miniature cabbage? Why is it sometimes purple and sometimes green? How do you even… cut it?

Like its siblings in the brassica family — broccoli, cauliflower, kale, basically all the fart-y stuff — kohlrabi wears many hats and can be used in an array of delicious meat-focused and vegetarian dishes that are found in many diverse cuisines. It may not look like the most delectable or visually stunning vegetable, but kohlrabi is nutrient-dense, subtly tasty, and worth adding to stews, curries, soups, pickles, and salads. Oh, and you can even eat it on its own — take a smaller springtime kohlrabi, peel back the leaves, and just bite it like an apple.

But first, uh, what is kohlrabi?

Kohlrabi is a vegetable whose common usage name comes from the German mashup of kohl (cabbage) and rabi (turnip). Neither a cabbage nor a turnip but vaguely reminiscent of both vegetables, kohlrabi is grown annually across several continents, including Europe and South Asia. "Broccoli was selected for really big flower buds, turnips were selected for big roots, kohlrabi was selected for a thick bulbous stem," says Alessandro Ascherio, farm field manager at the Mort Brooks Memorial Farm in Philadelphia. "[The stem] is the part you're eating." Ascherio likens the stem of the kohlrabi to the inner part of the stem of broccoli. "​​If you've ever met people who are really into eating the inside of the broccoli stem — there's this nice white crunchy part — it's kind of like that," he says. "It's not bitter. It's mild and sweet."

Because kohlrabi is a hardy vegetable, it grows in spring and fall, and can even be harvested in winters in the Northeastern part of America. "Kohlrabi sits right on top of the ground. As a farmer, at least where I've been growing, it's one of the reasons I like it so much. I can get away with no cover," Ascherio says. In spring and summer, kohlrabi has a mild and sweeter taste, and the vegetable will typically be smaller in size — more like a baseball than a softball. In fall, it's much larger, and can be woody if grown too big, which is why it frequently ends up in stews and curries, where it can be broken down gently. But as Ascherio says, "even during the winter it excels as a raw vegetable." Have some kohlrabi and don't know what to do with it quite yet? It can be stored for a few weeks or more in the fridge — just check periodically to see that it's not getting too soft. That's usually a sign that it's on the way out.

What does kohlrabi taste like?

Like many members of the brassica family, kohlrabi is subtly sweet and vaguely peppery when you eat it raw. Its texture is akin to a jicama or a broccoli heart, and the faster-maturing spring varieties can be juicy like apples, though rarely as sweet. Heartier varieties that grow in the fall, when they grow bigger, can have less sweetness and more structure (sometimes flavorless and too fibrous, if you get the wrong one), but they will add peppery, mustard-y flavors to curries and braises, and will soften well in cooked dishes. The leaves on a kohlrabi are also edible, when they're in good shape. "They look almost like small collards or dinosaur kale," Ascherio says. Add those to any soup or stew, or stir-fry them with garlic by themselves for a side of hearty greens to be served alongside any kind of cuisine.

A whole kohlrabi sits on a wooden cutting board next to a large knife. Sophia Pappas

How do you prepare kohlrabi for cooking?

Kohlrabi, despite its alien appearance, is not as challenging as, say, a pomegranate, to break down for cooking. The first step in disassembling this occasionally unwieldy vegetable is cutting off the leaves and stems that point out performatively in all directions from the bulb. (Save the leaves for cooking if they look healthy and snappy, but discard if they seem wilted and disheveled.) Slice the base off the bottom of the bulb as you would an eggplant or cabbage, then peel the outer layer with a vegetable peeler until the white interior is exposed. At this point, it's possible to cut your kohlrabi in any way according to the dish you're making. Match sticks work well for fresh salads, chunks for a stew, and strips if you're planning to pickle it with other vegetables (or alone, for that matter).

How is kohlrabi used in the kitchen?

"Kohlrabi is actually present in Indian cuisine in almost all different regions — South, North, West, and East," says Lopamudra Mishra, cook and writer of the food blog Away in the Kitchen, where Mishra features recipes for Indian home cooking. "If you go to India, you would find it is in most regional cuisines but it's never a star dish. Nobody will say, 'Oh, I love kohlrabi' — except if someone is from Kashmir." In Kashmir, kohlrabi is known as monji haakh — the monji refers to the bulbous part of the vegetable and the haakh the leaves — and it is often cooked with a very simple mix of spices and ingredients. "[Kashmiris] prepare this very basic stew, which hardly has any spices," Mishra says. "It has asafetida, it has a little bit of Kashmiri chili. Sometimes they may use a little bit of ver masala which is like Kashmiri garam masala. It's optional. And that's it." The leaves aren't chopped — they're cleaned and cooked whole with a lot of water, Mishra explains. "It becomes a stew until the kohlrabi is soft and tender but still holds its shape."

Kohlrabi can also be cooked German style as a side dish braised in a creamy bechamel sauce. It can be eaten like you would a side of braised cabbage alongside meatballs or schnitzel. There are also preparations in Vietnamese cuisine, like stir-fries and herby salads with pickled daikon and carrots. Kohlrabi shows up in Israeli cuisine, roasted. Because it's such a hearty vegetable that can grow in a range of climates and seasons, and because its flavor is subtle and approachable, there is a recipe for it in more cultures than not. Plus, when the ramps and lacinato kale are all sold out at the market, this ugly little vegetable is almost always there for the taking.

Much like cabbage, carrots, and hearty winter vegetables, kohlrabi also pickles well, both in a vinegar preparation with spices and in an oil preparation, found in many Indian cuisines. "You clean the kohlrabi, cut them into cubes, then rub the spices onto the kohlrabi pieces," Mishra says of making a kohlrabi-focused pickle. "Some people also like to slightly cook the kohlrabi but you don't actually need to. You just add the oil. If you are using mustard oil, you heat the oil, then cool it down, and then add it. Add salt. They all will act as fermenting agents."

For Mishra, kohlrabi is a great choice for a vegetable to pickle and preserve. "I really like kohlrabi in the pickle form a lot because it has a little bit of sweetness. It's on the sweeter side," Mishra says. "You eat it with rice and dal. It's really handy as a condiment."

Ascherio gets excited about eating kohlrabi raw in salads and slaws, or cutting the vegetable into strips and eating it slathered with peanut butter. And of course treating it like an apple is always an option. Whatever you do, though, don't count it out: "I'd say in my experience it remains underappreciated," Ascherio says. "There are a few CSA members who are jazzed about whatever you give them and they're open to preparing it in any way, but I have not see much excitement — much to my chagrin."

If you'd like to try cooking with kohlrabi, here are some recipes to get you started:

Lopamudra Mishra's Monji Haakh, or kohlrabi cooked in Kashmiri Style

Lopamudra Mishra's Kohlrabi Pickle

Asaf Doktor's Charcoal-Baked Kohlrabi

Romy Gill's Kohlrabi Aloo Sabzi

Melissa Clark's Caramelized Kohlrabi Soup

Vidya Narayan's Noolkol Poriyal

Jennifer McGavin's Kohlrabi in Creamy Sauce

Sophia Pappas is a Pittsburgh-based illustrator.

The Skinny Margarita Just Won’t Quit

Posted: 25 Apr 2022 08:01 AM PDT

No comments:

Post a Comment

guest post needed

Hi I hope you're doing well. I'm reaching out to discuss the possibility of publishing articles on your website. Along with guest ...