The Beat |
- Jeff Lemire announces Substack deal for his next graphic novel, FISHFLIES, plus new BLACK HAMMER
- Marvel unveils a slew of 2022 titles, including the Kang-centric TIMELESS, Rowell & Antônio’s SHE-HULK, and more
- REVIEW: Dance ‘til you die in THE DANCING PLAGUE
- Black Adam, Peacemaker, Super-Pets & much more among DC FanDome programming highlights
- DC ROUND-UP: Nothing to fear but BATMAN – FEAR STATE ALPHA
- EXCLUSIVE PREVIEW + NEWS: Slight delay for THE GOOD ASIAN #5
Jeff Lemire announces Substack deal for his next graphic novel, FISHFLIES, plus new BLACK HAMMER Posted: 31 Aug 2021 12:15 PM PDT You didn’t honestly think we heard the last of the Substack announcements did you? Today superstar comic creator Jeff Lemire announced that he has signed a deal to move his “Tales from the Farm” newsletter from its existing TinyLetter home over to Substack in order to expand it into something more akin to an “online studio.” One of Lemire’s first projects through the platform will be Fishflies, a graphic novel he will be writing and illustrating. Here’s how Lemire described the project
Lemire plans on publishing approximately five pages each week through the service and then providing digital copies so subscribers can essentially read and watch him create Fishflies in real time. Additionally, Lemire will be publishing new Black Hammer short stories through Substack, as well as a new full-length Colonel Weird comic co-written by Tate Brombal and fully painted by Ray Fawkes. This comes on the heels of the recently-launched Black Hammer: Reborn limited series, currently being published in print through Dark Horse. Lemire will also be opening up the proverbial vault and share his sketchbooks, scripts and process material from his various collaborators including om Andrea Sorrentino, Dustin Nguyen, Dean Ormston, and Caitlin Yarsky. Additionally, Lemire will be partnering with his art dealer at Cadence Comic Art and working with Dark Horse to offer exclusive merchandise such as variants, prints, commissions, and much more. Lemire closed the announcement by addressing the controversy surrounding Substack and many of the other (non-comics) personalities who have lucrative deals with the platform. Lemire said that he will donate “[his] portion of this year’s subscription money” to the non-profit Rainbow Railroad, similar to donations being made by other Substack comics creators. It’s no exaggeration to say that Jeff Lemire is one of the busiest creators in the comics industry right now. Between his Mazebook limited series from Dark Horse and the upcoming Image Comics Primordial limited series, the Netflix adaptation of his Vertigo series Sweet Tooth was renewed for a second season. Lemire joins the growing list of creators making the move to Substack that includes James Tynion IV, Scott Snyder, and Jonathan Hickman, Chip Zdarsky among others. You can read the full announcement from Lemire here. Time to start taking bets on the next creator to join Substack! The post Jeff Lemire announces Substack deal for his next graphic novel, FISHFLIES, plus new BLACK HAMMER appeared first on The Beat. |
Posted: 31 Aug 2021 10:30 AM PDT Marvel Comics has released information on a number of titles and storylines launching in December 2021 and into early 2022. Included are the December-launching Devil’s Reign, the continuation of Chip Zdarsky and Marco Checchetto‘s Daredevil storyline; a multiverse-spanning Avengers adventure from Jason Aaron and Aaron Kuder; a new She-Hulk series from Rainbow Rowell and Rogê Antônio; and much more. Here’s the full breakdown of the announced titles:
This story was teased a few weeks back in the Spider-Man/Venom FCBD one-shot. The Zdarsky-written Daredevil series has been really excellent, and he’s worked hard to build up Wilson Fisk and his conflict between wanting to maintain his previous control of New York while also wanting to be taken seriously as a reformed politician. It’ll be interesting to see how this series builds on those themes.
Another story that seems to have been teased a few weeks ago, this time in the Avengers/Hulk FCBD title. The multiverse is all the rage right now so this is also a totally logical move on Marvel’s part.
Speaking of things that are all the rage, given his debut at the end of the Disney+ Loki series the rise in prominence of Kang on the publishing side was pretty much a foregone conclusion. Jed Mackay has quickly become one of Marvel’s most consistently entertaining writers on books like Black Cat and Moon Knight.
It’s unclear if this will be a separate miniseries or a storyline in the ongoing Wolverine series that Percy and Cassara are already working on.
Shulkie’s return has also been pretty expected given the upcoming Disney+ series. She’s had a string of pretty great solo titles in recent years, so hopefully this one will continue that streak.
“Over 15 years in the making” is interesting. What significant events took place in the Marvel Universe in 2007? Let the speculation begin!
No creative team listed for this title yet, but MG&DD has by accounts been a solid performer in collected editions. I’d wager this’ll be written by a YA author with some name recognition in the bookstore market. Look for all of those titles from Marvel, and surely more that have yet to be announced, in December 2021 and January & February 2022. The post Marvel unveils a slew of 2022 titles, including the Kang-centric TIMELESS, Rowell & Antônio’s SHE-HULK, and more appeared first on The Beat. |
REVIEW: Dance ‘til you die in THE DANCING PLAGUE Posted: 31 Aug 2021 10:00 AM PDT The Dancing PlagueBy Gareth Brookes In The Dancing Plague, a fictionalized figure offers the reader a narrative window into one of the most enigmatic and perplexing events in history: the Dancing Plague of 1518 in Strasbourg, Alsace. Through a mixed-media approach that emphasizes key thematic elements, a narrative perspective that takes the form of a fictionalized composite of two historical figures, and a story that follows people being tormented by a plague whose source is invisible to their eyes but whose effects are all-too-immediate, The Dancing Plague is an extremely timely historical fiction graphic novel. Strasbourg, 1518In the foreword to The Dancing Plague by Anthony Bale, Professor of Medieval Studies at Birkbeck, University of London, it is noted that the perspective character from the graphic novel, Mary, is a composite of two historical figures: St. Christina the Astonishing and Margery Kempe. If it seems remarkable that multiple historical figures would inform a single character, consider that the outbreak of dancing that took place in Strasbourg was not, as one might expect, a singular incident… even in Strasbourg. Professor Bale notes in the introduction that similar dancing outbreaks occurred in Strasbourg in 1374 and 1418.
And there are also plenty of details about day-to-day medieval life included in this graphic novel, as well. One example is the practice of becoming an anchoress – a woman who elects to be walled into cell for the duration of her life, so as to better devote her life to prayer and devotion – which plays into the narrative in an unexpected way (and if you've been following the books released by SelfMadeHero closely, you might remember an anchoress from one of the stories in the I Feel Love anthology – perhaps 2021 is, fittingly, the year of the anchoress). Choreomania & PyrographyIn order to tell the tale in The Dancing Plague, Brookes utilized his unique "pyrographic" technique, a method of burning images into the material using heated implements, combined with actual embroidery (if you want to see more of his work – and no one could blame you – check out his website). To suitably convey the details of the methods used by Brookes, the graphic novel is beautifully printed, so effectively that even the texture of the paper is visible on the page. The result is an historical fiction graphic novel that at times feels more like an historical artifact itself – there's very little to stop you from slipping into this world (shout-out to the incredible design of this book by Txabi Jones). While this innovative mixed media approach imparts a unique aesthetic to the graphic novel – and one that's just genuinely enjoyable to look at – these techniques are also used to convey important thematic meaning. The pyrographic elements are used for the elements that are "of our world," like the humans and the buildings. Meanwhile, the embroidery elements represent the stuff that falls under the purview of the supernatural: the demonic figures that force the humans to dance, for example, or the heavenly visions experienced by the narrator. This duality is further emphasized by the fact that the embroidered demons are unbound by comic conventions like panel borders, their supernatural dance steps taking them into the gutters as they force the people of Strasbourg to endlessy boogie until they collapse. This distinction, between the elements of the narrative that belong to the heavens or the earth, ultimately proves important to the climax, specifically through the red shoes worn by the hapless dancing citizens. The Dancing PlagueIn the acknowledgements section, Brookes notes that much of the work on The Dancing Plague was completed during "the great pandemic of 2020." This is evident throughout the book: it's as though the isolation and torment by the invisible – common elements for both the 1518 and 2020 plagues – are baked into every page. As we head into an uncertain and quite-possibly indefinitely plague-ridden future, The Dancing Plague is recommended reading, offering a meditation on instances in the past when people have been similarly faced with the unknown… And as you read, you can hope that maybe the next time a plague comes around, we'll all be a little better prepared. The Dancing Plague is available at a bookstore or public library near you beginning today, Tuesday, August 31st, 2021. The post REVIEW: Dance 'til you die in THE DANCING PLAGUE appeared first on The Beat. |
Black Adam, Peacemaker, Super-Pets & much more among DC FanDome programming highlights Posted: 31 Aug 2021 09:15 AM PDT Announced earlier this year, DC FanDome, the 24-hour immersive virtual fan experience, is returning once again this October. Today, the DC FanDome programming was revealed. Considering the immense success of the first DC FanDome last year that left WarnerMedia CEO Jason Kilar “giddy” it’s no surprise that Warner Bros. is opting to host the virtual event once again. Moreover, despite the vaccination rollout when it seemed like the country would be returning to normal, the rise of the delta variant has people once again cautious about attending in-person events. It will be particularly interesting to see the turnout for New York Comic Con which is meant to take place at the Javitz Center two weeks before DC FanDome. Reportedly, WB’s entire live marketing budget went into making the 2020 Fandome a success, so it seems safe to assume WB is opting out of NYCC to put all its efforts into DC FanDome. Check out the launch video and details for the DC FanDome programming below.
The post Black Adam, Peacemaker, Super-Pets & much more among DC FanDome programming highlights appeared first on The Beat. |
DC ROUND-UP: Nothing to fear but BATMAN – FEAR STATE ALPHA Posted: 31 Aug 2021 09:00 AM PDT THIS WEEK, the DC Round-Up crew looks at Batman – Fear State Alpha #1 and Batman/Superman Annual 2021 #1, two very different Bat-stories that are both very good. Note: the reviews below contain spoilers. If you want a quick, spoiler-free buy/pass recommendation on the comics in question, check out the bottom of the article for our final verdicts. Batman – Fear State Alpha #1Writer: James Tynion IV And thus, the finale of James Tynion's Batman era begins, as we have reached the opening salvo of Fear State. I think the idea behind this event is a fantastic one, with Scarecrow actually getting the chance to really come into his own as a villain, and to do so without the need for fear gas, but instead just psychological manipulation is inspired. One thing I am caught wondering though after reading Batman – Fear State Alpha, is just how much synergy there is between HBO Max and the DC Comics office right now, because while Tynion has made it clear that this arc has been in the works for a good while on his end, that lead time also matches up pretty nicely with season three of Titans, which is also featuring a Scarecrow driven plotline and also introduces a character named Molly into the world of Gotham City. Now, these could be coincidences, but I would love to hear that the two offices are working that closely in sync and not really expecting either to play reactionary. I've started to liken the Tynion-driven Bat-office to the Hickman-driven X-office and as both are now stepping away from those roles, it feels that the comparison has just gotten more apt. It feels like both creators have set the lines up for continued success with or without them at the helm, and that's a good feeling for two of the most important franchises in comics. In that respect, Fear State really feels like it's paying off multiple ongoing storylines through multiple titles, much like last year's X of Swords did for the X-line. It's tying things together from Batman and Detective, it's playing with stories that got page time in Urban Legends, it's advancing plots that started as backups in the main books. It's bringing in all the ancillary titles in a way that feels more natural than most of the recent Bat-events. The sheer number of storylines that are all coming together throughout this single event is actually incredible. It's naturally bringing the Harley Quinn and Catwoman stories together for example, in a way that utilizes the main Batman plot as well. And clearly, it's setting up I Am Batman extremely effectively. I absolutely loved Chris Sotomayer's colors throughout Batman – Fear State Alpha #1, especially when he bathes Simon Saint in warm reds and oranges, it is a stark contrast to the normal cool colors we associate with Gotham City, and thus makes him seem more diabolical and sinister in comparison. The colors really work in concert with Federici's really tight pencils to really make this feel realistic and drive home some of the tension that is ramping up throughout Gotham City. In the opening salvo to his last hurrah with the Dark Knight, James Tynion continues to deliver every step of the way. Verdict: Buy –Cori McCreery Batman / Superman Annual 2021 #1Writer: Gene Luen Yang Batman / Superman Annual 2021 #1 essentially serves as an epilogue for the recently-concluded run on this title by writer Gene Luen Yang, artist Ivan Reis, and the rest of their team. In that six issue arc, Batman and Superman live on two separate earths — much as they seemed to do during the Golden Age of comics. To further the homage to that time, the earth’s are a bit anachronistic, and each of the titular characters bear resemblances to the bygone characters they were during their first appearances. The proper arc for the book served up an adventure where the two earths sort of collided, slamming the leads together and having them team up against a multiversal foe, an archivist named Auteur.io. It was all really well done, and now we get a coda with this annual, which is essentially two distinct comics with a single overlap point. In these separate comics, the two characters — you guessed it! — switch earths. First and foremost, it’s really a credit to this book that it’s able to do that without feeling at all played out. Part of this, I think, is that that superhero story convention has become dated to the point that I can’t remember the last time a modern superhero book went to that well. When I picked up on the structure of this annual, it was almost like seeing an old friend, a superhero concept I was familiar with and also didn’t realize that somewhere deep down I missed. The second reason this book transcends its setup is that aforementioned overlap point. It occupies I believe a pair of spreads in this comic, but it really serves to elevate the whole affair. See, DC Comics is currently going through some serious experimentation with its multiverse. The company’s long-time leadership recently underwent a serious pruning, with new faces coming in and some long-time talent that had been in mid-tier editorial roles being elevated. For readers, it has felt like that old regime took quite a bit of editorial restraint with it, enabling new use of the multiverse as well as the ability for creators to dive into and draw from past eras. This book does all of that, and it does it exceedingly well, armed as it is with one of the best creators in all of comics — Yang — and a pair of capable artists, with Francavilla’s work on the first half Superman story standing out as exceptional. In the end, I’m fairly confident that any reader who enjoyed the full story arc of this book will also enjoy this little epilogue. But you know what? I think this one stands alone pretty darn well too, earning it my highest recommendation. Verdict: BUY –Zack Quaintance Round-Up
Miss any of our earlier reviews? Check out our full archive! The post DC ROUND-UP: Nothing to fear but BATMAN – FEAR STATE ALPHA appeared first on The Beat. |
EXCLUSIVE PREVIEW + NEWS: Slight delay for THE GOOD ASIAN #5 Posted: 31 Aug 2021 07:00 AM PDT Have you been keeping up with The Good Asian? The outstanding historical fiction detective tale from Pornsak Pichetshote, Alexandre Tefenkgi, Lee Loughridge, and Jeff Powell, with main cover artist Dave Johnson, has been making waves, and with good reason: between the impeccably researched history and the irresistibly intriguing protagonist, this mystery comic is a can't miss! Issue 5 Delayed Until September 29thFirst, some news: The Good Asian #5 has been delayed from Wednesday, September 1st, 2021 until Wednesday, September 29th, 2021. This means two things! The first is that the Final Order Cutoff for The Good Asian #5 is now September 6th, 2021, so call your local comic shop now if you haven't ordered it already. The second is that the fifth issue of the Chinatown noir comic will now be timed to release with the first trade paperback collection, collecting issues 1 through 4… So even if you've been sleeping on this series, you’ll have the ideal opportunity to catch up just as issue five is released! More Variant AvailabilityHowever, that's not the only news about The Good Asian we have to report on The Beat today! Thanks to the positive response to the variant covers for the series, they will be offered at a frequency of 1:10 moving forward… So if you can't get enough of this Afu Chan variant for The Good Asian #6, which The Beat can exclusively debut today, you may be in luck! The Good Asian #5If you want to know more about The Good Asian, consider reading The Beat's interview with Pichetshote and Tefenkgi here. Have you been keeping up with the series, including its incredible back matter? Are you one of the people who have been part of the strong response to the variant covers (and if so, which variant is your favorite)? What do you think of the five-page preview of The Good Asian #5, included below? We want to hear from you! Let us know what you're thinking in the comment section or on social media over at @comicsbeat!
The post EXCLUSIVE PREVIEW + NEWS: Slight delay for THE GOOD ASIAN #5 appeared first on The Beat. |
You are subscribed to email updates from The Beat. To stop receiving these emails, you may unsubscribe now. | Email delivery powered by Google |
Google, 1600 Amphitheatre Parkway, Mountain View, CA 94043, United States |
No comments:
Post a Comment